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Mircea SuciuMother 22023oil, acrylic and varnish on wood25 x 19 cm
Mircea SuciuMother 12023oil, acrylic and varnish on wood25 x 19 cm
Mircea SuciuStudy for "Empathy for Destruction"2022oil, acrylic, liquin, charcoal and varnish on linen70 x 50 cm
Mircea SuciuThe Gift (Pandora's series)2022oil and varnish on linen127 x 77 cm
Mircea SuciuLove Eternal (During Wartime series)2022oil, acrylic, liquin, gasoline and varnish on linen50 x 50 cm
Mircea SuciuStill Life During War Time (series)2022oil, acrylic and varnish on linen50 x 50 cm
Mircea SuciuStudy for America (after Velázquez)2022oil on linen50 x 50 cm
Mircea SuciuSpiderweb2022oil, acrylic, monotype and varnish on linen42 x 30 cm
Mircea SuciuGood Boy (America Series)2022oil, acrylic, monotype and varnish on linen57 x 41 cm
Mircea SuciuStill Life (Self Portrait as a Dead Bird)2021oil on linen50,5 x 50,3 cm
Mircea SuciuHigh Anxiety2021oil and acrylic on linen111 x 95 cm
Mircea SuciuAmerica (series after Velázquez)2021oil on linen180,5 x 158,7 cm
Mircea SuciuStill Life with Movie Projection (2)2021oil, acrylic and monotype on wood42 x 30 cm
Mircea SuciuAmerica (after Velázquez) (1)2021oil, acrylic, monotype and varnish on linen63,5 x 41 cm
Mircea SuciuCamouflage (2)2021acrylic, monotype and varnish on wood42 x 30 cm
Mircea SuciuWeight (Still Life with Movie Projection) 52020oil, acrylic and monoprint on linen82,1 x 80,1 cm
Mircea SuciuWeight (Still Life with Movie Projection) 22020oil, acrylic and monoprint on linen mounted on plywood42,1 x 30,1 cm
Mircea SuciuDazzle (Hallucination / Disintegration)2019oil, acrylic and monoprint on linen35 x 25 cm
Mircea SuciuShame2019oil, acrylic and monoprint on linen29,3 x 21,5 cm
Mircea SuciuHallucination - Disintegration2019oil, acrylic and monoprint on linen83,5 x 80,3 cm
Mircea SuciuInfinity Stone (Time Fragment)2019oil, acrylic and monoprint on linen75 x 106 cm
Mircea SuciuGrace2019oil, acrylic and monoprint on linen160,1 x 140,4 cm
Mircea SuciuTrans-Atlantic Still Life2019oil, acrylic and monoprint on linen175,3 x 115,4 cm
Mircea SuciuButterfly2018oil, acrylic and monoprint on linen144,7 x 97,6 cm
Mircea SuciuA Beauty Supreme (9)2018oil, acrylic and monoprint on linen170,2 x 137,2 cm
Mircea SuciuA Beauty Supreme (1)2018oil, acrylic and monoprint on linen66 x 43,2 cm
Mircea SuciuThe Beast (after Murillo)2018oil, acrylic and monoprint on canvas172,7 x 119,4 cm
Mircea SuciuThe Constant Feeling of Guilt (after Delacroix)2018oil, acrylic and monoprint on linen86,4 x 81,3 cm
Mircea SuciuSpeculum (3)2018oil, acrylic and monoprint on linen30,5 x 22,9 cm
Mircea SuciuTrophy (1)2018oil, acrylic and monoprint on linen73,7 x 63,5 cm
Mircea SuciuThe Flock (2)2018oil, acrylic and monoprint on linen25,4 x 20,3 cm
Mircea SuciuStrange Fruit (2)2018oil, acrylic and monoprint on linen175,3 x 139,7 cm
Mircea SuciuWicked2018oil, acrylic and monoprint on linen192,3 x 110,4 cm
Mircea SuciuSublime2018oil, acrylic and monoprint on linen192 x 117,7 cm
Mircea SuciuThe Confessional (2)2017oil, acrylic and monoprint on linen252 x 180 cm
Mircea SuciuThe Other Bremen Town Singers (Migrants)2017oil, acrylic and monoprint on linen147 x 116 cm
Mircea SuciuStudy for High Anxiety (after Velázquez)2017oil, acrylic and monoprint on linen80 x 80 cm
Mircea SuciuThe Confessional (1)2017oil, acrylic and monoprint on linen194,8 x 157 cm
Mircea SuciuEastern Promises (1)2016oil, acrylic and monoprint on linen122 x 115 cm
Mircea SuciuDownfall (3)2016oil, acrylic and monoprint on linen115 x 100 cm
Mircea SuciuThe Old201682 x 60 cm
Mircea SuciuGomorrah2016oil, acrylic and monoprint on linen86 x 80 cm
Mircea SuciuDizziness of Freddom (2)2016oil, acrylic and monoprint on linen222 x 166 cm
Mircea SuciuStudy for Migrant (2)2016oil, acrylic and monoprint on linen115 x 81 cm
Mircea SuciuThe Deceiver (14th Congress)2015oil, acrylic and monoprint on linen40 x 58 cm
Mircea SuciuCamouflage2015oil, acrylic and monoprint on linen82 x 85 cm
Mircea SuciuCamouflage (2)2015oil, acrylic and monoprint on linen114,8 x 81 cm
Mircea SuciuThe Deceiver2015oil, acrylic and monoprint on linen51 x 62 cm
Mircea SuciuIron Curtain (2)2015oil, acrylic and monoprint on linen80 x 80 cm
Mircea SuciuSelf Portrait2014charcoal on paper100 x 70 cm
Mircea SuciuIron Curtain2014oil, acrylic and monoprint on linen29 x 20 cm
Mircea SuciuIron Curtain2014oil, acrylic and monoprint on linen91 x 61 cm
Mircea SuciuIron Curtain2014oil, acrylic and monoprint on linen289 x 194 cm
Mircea Suciu1988 (2)2014oil, acrylic and monoprint on linen50 x 50 cm
Mircea SuciuStudy for the Iron Curtain2014oil, acrylic and monoprint on linen120 x 100 cm
Mircea SuciuNostalgia (1)2014oil, acrylic and monoprint on linen263 x 193 cm
Mircea SuciuIron Curtain2014oil, acrylic and monoprint on linen195,6 x 122 cm
Mircea SuciuThe Burden2014oil, acrylic and monoprint on linen210 x 187 cm
Mircea SuciuNoumena (2)2014oil, acrylic and monoprint on linen80 x 59 cm
Mircea SuciuStudy for the Iron Curtain (1)2014oil, monoprint and acrylic on linen56,5 x 44 cm
Mircea SuciuStudy for the Iron Curtain2013charcoal on paper150 x 184 cm
Mircea SuciuGentle Iron Curtain2012monoprint, acrylic and Indian ink on wood19 x 21 cm
EARTHLY DELIGHTS
Mennour, Paris, France September 12 - October 7, 2023
THE LIGHT OF RECENT EVENTS
Published by SAC Bucharest, Romania, 2022
MIRROR, MIRROR? CONTEMPORARY SELFHOOD IN ROMANIAN ART
CFHILL, Stockholm, Sweden September 3 - October 10, 2021
TRIENNALE BRUGGE 2021: TRAUMA
Poortersloge, Bruges, Belgium May 8 - September 26, 2021
SAC Bucharest, Romania October 31, 2020 - February 21, 2021
Mircea Suciu, b. 1978 in Baia Mare (RO), lives and works in Cluj (RO).
Mircea Suciu uses both art-historical and pop-culture references to create his unique visual idiom. These sources are interpreted and translated into a personal language where figuration and abstraction complement and enhance each other. Over the years, Suciu has developed his own multilayered graphic style, one that incorporates different media and which he calls ‘monotype’. After transferring a photographic image onto the canvas, Suciu applies both acrylic and oil paint. The monoprint allows him to balance the composition while the paint adds colour and texture to the work.
Both visually and technically, Mircea Suciu aims to break away from the classical idea of the image as a unitary, compact representation of a single subject. Through his seemingly eclectic choice of imagery, he strives for iconicity in a world dominated by a multitude of images. Anxiety, violence and oppression have always been important themes in Suciu's work. He grew up under a communist dictatorship which made him interested in how images function, how they can manipulate or emancipate.
Mircea Suciu has had solo exhibitions at SAC (Bucharest) and National Museum of Contemporary Art (Bucharest). He has participated in various biennials and triennials, including the Bruges Triennial, the Gwangju Biennale in South Korea, the 4th Prague Biennale, 11th Istanbul Biennial, 16th Vilnius Painting Triennial and the Timisoara Biennial. His work has featured in group exhibitions such as MARe Museum of Recent Art (Bucharest), Kunstmuseum Bochum, Weserburg Museum (Bremen), Museum Beelden aan Zee (The Hague), Boulder Museum of Contemporary Art, Espace Louis Vuitton (Paris), Fondation Francès (Senlis), Maison Particulière (Brussels), MODEM Center for Modern and Contemporary Art (Debrecen) and Budapest Hall of Art.
Mircea Suciu joined the gallery in 2014.
Zeno X Gallery is pleased to present Bleeding Heart, the fourth solo exhibition by Mircea Suciu (b. 1978, Cluj) in Antwerp. The show includes thirteen paintings offering an overview of the recent developments in his work.
The exhibition takes its title from the derogatory (political) term for a person considered to be excessively soft-hearted or liberal. Before surfacing in conservative rhetoric as a term of disparagement for more liberal politicians, the term was used in religious writings and iconography in reference to the heart of Jesus Christ and was found in literature to describe sincere emotional outpourings. As an artist, Mircea Suciu is deeply fascinated by humankind and its actions. Through his art, he seeks to understand the world around him and to process it until he reaches a conclusive result.
The human condition is the main focus of his work. Suciu is intrigued by the tragedies human beings inflict upon each other but also by humankind’s frailty as well as its ability to constantly adapt and evolve. Through his work he refers to and reflects upon the histories of violence, oppression and abuse of power which he connects with the current state of humankind. His images are meant to push the viewer to meditate upon history in order to arrive at a feeling of compassion with the depicted subject.
The artist often works in series, returning to themes which he continuously seeks to improve. One of these is the reinterpretation of Diego Velázquez’s Las Meninas, which was painted at the height of the Spanish Golden Age. Looking at this work from a twenty-first-century perspective, one can no longer ignore the topics of colonialism and racism, the effects of which are still with us today.
Another prominent theme in this exhibition is the still life. Inspired by his seventeenth-century predecessors, Suciu adapts well-known vanity motifs such as skulls and dead birds to further explore his interest in human behavior. Humanity is defined by contrasting actions, from cruelty to grace, from acts of aggression to sympathy or compassion.
The artist also draws upon more recent art-historical and cultural references such as minimalism, pop art and cinema to create his highly unique visual language. These sources are interpreted and translated into a personal idiom where figuration and abstraction complement and enhance each other. Technically too, his work is rich and multilayered. Over the years, Suciu has developed his own graphic style, one that incorporates different media and which he calls ‘monotype’. After transferring a photographic image onto the canvas, Suciu applies both acrylic and oil paint. The monoprint allows him to balance the composition while the paint adds color and texture to the work.
Both visually and technically, Mircea Suciu aims to break away from the classical idea of composition as a unitary, compact representation of a single subject. Through this seemingly eclectic choice of imagery, he strives for iconicity in a world that is dominated by all sorts of images. For him, an iconic image combines meaning as well as materiality. His work reminds us that there are no simple answers to complicated questions. It is a constant quest to understand and take control of the contradictions of the human condition and to find beauty and balance through a multitude of perspectives.
Mircea Suciu has held solo shows at SAC Bucharest and the National Museum of Contemporary Art in Bucharest. He has participated in various biennials and triennials, including the Bruges Triennial, the Gwangju Biennial in South Korea, the 4th Prague Biennial, 11th Istanbul Biennial, 16th Vilnius Painting Triennial and the Timisoara Biennial. His work has featured in several group exhibitions, such as MARe, Museum of Recent Art in Bucharest, Kunstmuseum Bochum, Weserburg Museum in Bremen, Museum Beelden aan Zee in The Hague, Boulder Museum of Contemporary Art, Espace Louis Vuitton in Paris, Fondation Francès in Senlis, Maison Particulière in Brussels, MODEM Center for Modern and Contemporary Art in Debrecen and Mucsarnok Kunsthalle in Budapest.
Zeno X Gallery is pleased to present Hotel Empathy, the third solo exhibition in Antwerp by Mircea Suciu (b. 1978, Romania).
During his youth, Mircea Suciu witnessed the fall of the Iron Curtain and the way people tried to rediscover their cultural and personal identity. At the same time American culture played an important role in both his upbringing and the formation of his visual language. Over the years Suciu has also spent two working periods in New York; he lived in the United States at the beginning of his career around 2008 and last year. Suciu discovered that several American artists were among his favourites, such as John Baldessari and Robert Rauschenberg. The way these artists freely combine different techniques and styles was a source of inspiration for the artist. Over the years he developed his own graphic technique, one that also incorporates different media and which he calls ‘monotype’: after transferring a photographic image onto the canvas, Suciu then applies both acrylic and oil paint. The monoprint allows him to balance the composition while the paint adds colour and texture to the work. He simultaneously conceals and reveals. For him, the process is as important as the final image.
Suciu not only uses a wide range of graphic techniques to compose images, but he also resorts to various types of images. He often recycles images that are part of our collective memory or that seem familiar, ranging from a Campbell soup can to an identifiable character of a baroque painting. Through this seemingly eclectic choice of imagery he strives for iconicity in a world that is constantly being overwhelmed by all sorts of images. Suciu is interested in the mechanisms behind an image – how the impact can be immediate and how an image can be deceiving or rather emancipating. By working in series, he tries to exhaust certain motifs and to reach the essence of an image. The images could be seen as echoes that become more real through repetition, making it harder for one to escape them.
Mircea Suciu feels an urge to confront the viewer with the world we live in:
‘We tend to blame someone else: God, evil, destiny. There is no evil; there is no God; we are to blame in all cases. It is our weakness; it is the corruption of our minds and souls that creates the problems we confront in our society. The lack of education is the main factor that drives us into the pit of these sad moments. Our lack of involvement produces these catastrophic events. From dictatorship to war to climate change, we as individuals and as a society are the ones responsible. Standing, watching in oblivion, we expect a higher entity to solve this mess, and if it does not, we blame it on evil. The war we are experiencing is within ourselves.’
Suciu confronts classical beauty with images of fear and disruption. He juxtaposes representational imagery and abstraction to break through a simple reality, perspective and narrative. The images feel emotionally charged while the abstract geometrical patterns add a rational and orderly touch. The series Strange Fruit, for example, is based on the painting Las Meniñas (1656) by Diego Velazquez and pictures the young Infanta Margaret Theresa. The title Strange Fruit refers to the famous poem that condemns racism and specifically the lynching of Afro-Americans. The combination of these elements tries to bring to attention the brutalities that took place during the reign of the Spanish kings, such as the Inquisition and colonisation.
The title of the exhibition, Hotel Empathy, suggests a temporary home for the works that will host them with understanding and compassion.
Mircea Suciu’s work was part of the Gwangju Biennale in 2014 and was the subject of a solo show organized at the National Museum of Contemporary Art in Bucharest. His work has been included in exhibitions at Kunsthal Rotterdam, MARe Museum of Recent Art in Bucharest, Kunstmuseum Bochum, Weserburg in Bremen, Zacheta National Gallery in Warsaw, Espace Louis Vuitton in Paris, Boulder Museum of Contemporary Art in Boulder, Fondation Francès in Senlis, Maison Particulière in Brussels, MODEM Centre for Modern and Contemporary Art in Debrecen, Mucsarnok Kunsthalle in Budapest, the 4th Prague Biennale, 16th Vilnius Painting Triennial and the 11th Istanbul Biennial.
Zeno X Gallery is pleased to present Ship of Fools, a second solo exhibition by Mircea Suciu (b. 1978) in Antwerp. In this exhibition, Suciu expresses our fears and reacts to the world we presently live in, which does not seem all that different from the past. Throughout human history, societies have experienced alternating periods of growth, success and hope but also of fear, disasters, political struggles and wars. Today, we are anxious about religious fundamentalism, nationalism and war. These fears terrorize many lives and seem to close in on us. They affect our emotions, human behaviour and psychology. As a young Romanian, Suciu witnessed the fall of the iron curtain and the way people tried to reconstruct or rediscover their cultural and personal identity. Suddenly, people were free again in their choice to turn their gaze to the West or the East. Yet several threats have called this semblance of freedom and democracy into question again, and this throughout Europe. As an artist, Suciu feels both the freedom and the urge to confront the viewer with the world we live in. He reproduces pictures of historical dramatic events and integrates them as a background into his compositions in which the human figure takes central place. Suciu does not depict horror or drama but rather a tension created through postures and gestures that express dominance, fragility, defence and protection. A recurrent motif in this exhibition is the chair. Combined with a human head it stands, according to a Romanian expression, for wisdom. Refugees have to rely on their intelligence; it is the only possession they can carry with them on their travels. Can wisdom and critical thinking be our salvation?
The title of the exhibition refers to a German satirical allegory from the late 15th century, which was published by the humanist and theologian Sebastian Brant (1457-1521). The fool in society was often free to speak out and voice criticism without being censored, since people generally did not pay any attention to his words. He is not an average figure and observes the world from the sidelines. His words are not seen as an expression of logic or coherence, although one must often admit, that the fool speaks the clear truth. The fool and the artist might not be the same figure but they have something in common, a desire to understand, to confront and to provoke. Suciu does not want to idealize, conceal or escape. He digs into our minds and our souls and reveals. He recycles images that are part of our collective memory or seem familiar. They are echoes and through repetition they become real, making it impossible for one to escape them.
For Suciu, a strong and iconic image is the culmination of meaning and materiality. He is a process painter and combines a technique of monoprint with oil and acrylic paint. Creation is followed by destruction and restoration. The surface is damaged and leaves marks in order to intensify the narrative and the heritage of (art) history, while exploring the future of the medium.
In 2014, his work was part of the Gwangju Biennial and the subject, in 2015, of a solo show organized at the National Museum of Contemporary Art in Bucharest. Work of Mircea Suciu was also on view in the exhibitions ‘Scènes Roumaines’ at the Espace Louis Vuitton, Paris, ‘Defaced’ at the Boulder Museum of Contempoary Art, Boulder, ‘Hybrid’ at the Fondation Francès, Senlis, ‘Sex, Money and Power’ at Maison Particulière, Brussels, ‘Nightfall - New tendencies in Figurative Painting’ at the MODEM Centre for Modern and Contemporary Art, Debrecen, ‘European Travelers’ at the Mucsarnok Kunsthalle, Budapest, the 4th Biennial of Prague and the 11th Biennial of Istanbul.
Zeno X Gallery proudly presents the first solo exhibition of the young Romanian artist Mircea Suciu (°1978). His paintings and drawings combine abstraction and figuration and often deal with socio-political themes. Suciu reflects on the implications of a life under a dominating political regime. Protests against war and occupation are inevitably accompanied by a questioning of cultural identity, national frustrations and social changes. Mircea Suciu translated these phenomena into images, paying particular attention to the psychological impact experienced by the population. The artist is particularly fascinated with the psychology of the individual in times of social and political crisis. The installation ‘Dust to Dust’, shown a few months ago at the Gwangju Biennale in South Korea, brings all these ideas together in an overwhelming manner. It contains fifty works on paper, which refer to key political events in modern world history. The diversity of techniques used by the artist results in an extraordinary mosaic of images, which testifies of Suciu’s interest in the exploration of the pictorial possibilities of representation. Mircea Suciu used to recuperate images mostly from magazines and newspapers. The works ‘1988’ and ‘1988 (2)’ are also based on photographs of Ceaușescu’s hands which Suciu found in an archive. Recently he started staging and making photographs himself. This allows him to create an individual visual language and further the metaphorical power of his work. While the subjects the artist chooses clearly hark back to the past, he never fails to focus on the present and the future. Suciu avoids dogmas, conventions and genres, while simultaneously exploring the limits and possibilities of this charged medium.
Suciu uses a technique in which oil is mixed with acrylic and then applied on a monoprint on paper or canvas. The photographic image of the monoprint allows him to organize the details and the composition while the paint adds colour and texture to the works. He simultaneously conceals and reveals. For Suciu, the process is as important as the final image. The work undergoes different stages of creation, destruction and restoration in order to create a damaged surface; layeredness in terms of both meaning and physical form is a crucial aspect for Suciu.
‘Root and Branch’, the title of the exhibition, on the one hand refers to the Root and Branch Petition of 1641, which led to a separation of church and state in the London Parliament. Mircea Suciu’s works also show a world in which belief in God and the church no longer exist. The figures in his paintings attempt to take control of their own destiny. ‘Root and Branch’, on the other hand, refers to something that has been thoroughly done. Suciu often works in series in order to exhaust certain motifs until he reaches the essence of an image. Finally, the ‘root’ can also be understood metaphorically as the foundation or the core of something. The communist past of Romania remains an important issue for the artist. The series entitled ‘Moving to the left / right’ and ‘Iron Curtain’ address the tensions in Eastern Europe between West-minded people and the supporters of the communist model. The camouflage works provide a broader critique on global politics and the way in which society manipulates and ‘camouflages’ events.
Suciu tries to create images which thematically and pictorially trigger the curiosity of the public. Loaded themes are powerfully translated into a formally harmonious visual language.
Work of Mircea Suciu was shown in the exhibition “Scènes Roumaines” at Espace Louis Vuitton, Paris (FR), “Defaced” at the Boulder Museum of Contempoary Art, Boulder (US),”Hybrid” at Fondation Francès, Senlis (FR), “Sex, Money and Power” at Maison Particulière, Brussels (BE), ‘Nightfall - New tendencies in Figurative Painting’ at the MODEM Centre for Modern and Contemporary Art, Debrecen (HU), “European Travelers’ at Mucsarnok Kunsthalle, Budapest (HU), the 4th Biennial Prague (CZ) and the 11th Istanbul Biennial (TR).
In 2015, Mircea Suciu will also have a solo exhibition at the National Museum of Contemporary Art, Bucharest (RO).
curator: Jessica Morgan
Mircea SuciuFear Seems Strange2021oil, acrylic and varnish on linen100 x 70 cm
Mircea SuciuLove Eternal 2 (Inspired by Boilly, Still Life with Movie Projection series)2022oil, acrylic, monotype and varnish on wood42 x 30 cm
Mircea SuciuStill Life (Self-Portrait as a Dead Bird)2021oil on linen70 x 51 cm
Mircea SuciuLove Eternal (Inspried by Boilly, Still Life with Movie Projection series)2022oil, acrylic, monotype and varnish on wood42 x 30 cm
Mircea SuciuMoonlight2022oil and acrylic on wood40 x 32 cm
Jenny ScobelNail by the Door2006graphite and wax on gessoed wood106,5 x 61 cm
Jenny ScobelMark2006graphite, watercolour and wax on gessoed wood106,5 x 61 cm
Jenny ScobelWaterfall2006graphite, watercolour and wax on gessoed wood109 x 61 cm
Kim JonesUntitled1984 - 1990 - 2005 - 2006acrylic and ink on paper50,8 x 40,6 cm
Kim JonesMop2009wig, acrylic and ink42 x 36 x 2,5 cm
Kim JonesUntitled (war drawing)1990s - 2000 - 2010 - 2011pencil on paper63,2 x 96,4 cm
Kim JonesUntitled2003acrylic and ink on leather2 x (30,0 x 11,0 x 10,5 cm)
Kim JonesUntitled2005acrylic and ink on paper59,7 x 83,8 cm
Kim JonesUntitled2006acrylic and ink on paper40 x 55,3 cm
Kim JonesUntitled1984 - 2007acrylic and ink on photograph40,6 x 60,6 cm
Martin MargielaBodypart b&w2018 - 2020oil pastel on projection screen123 x 222 x 8 cm
N. DashUntitled2022earth, acrylic, canvas, fabric, silkscreen ink, jute151,13 x 78,74 cm59,5 x 31 in
Pietro RoccasalvaStudy for Giocondità2022oil on canvas48 x 64 cm
Kim JonesUntitled2001 - 2007acrylic and ink on photograph45,7 x 30,5 cm
Jenny ScobelAmanda (II)2011pencil, watercolour and wax on gessoed wood81,3 x 61 cm
Pélagie GbaguidiCare2020dry pastel and wool on paper21 x 29 cm
Pélagie GbaguidiCare2020dry pastel on paper29 x 21 cm
Marina RheingantzSexy X2022oil on canvas130 x 110 cm
Jockum NordströmCat Dog Cat2016collage, watercolour and graphite on paper40 x 50 cm
Hyun-Sook Song9 Brushstrokes2017tempera on canvas130 x 70 cm
Jan De MaesschalckImpersonation (based on a photo by Johan Jacobs)2022oil on canvas65,2 x 55,2 cm
Yun-Fei JiThe Dead Are also Moving2007mineral pigments and ink on rice paper89,5 x 97 cm
Grace SchwindtGuard2022ceramic and bronze (edition of 3 + 1 AP)53 x 9 x 9 cm
Kees GoudzwaardOn Display2022oil on canvas70 x 60 cm
Susan HartnettOct. 11 2011 #2, Blue-joint grass (Calamagrostis canadensis)2011charcoal on paper56,5 x 76 cm
Jack WhittenSilver Centerfold2015acrylic on panel3 x (30,5 x 30,5 cm)
Philip Metten2203222022oil and thread on canvas23,1 x 23,2 cm
Paulo MonteiroUntitled2016oil on bronze (edition of 3 + 1 AP)56 x 2 x 4 cm
Paulo MonteiroUntitled2018oil on bronze (edition of 3)16,6 x 10,5 x 4,8 cm
Paulo MonteiroUntitled2016bronze (edition of 2 + 1 AP)18,5 x 62 x 22,5 cm
Naoto KawaharaNaked Girl2022oil on canvas72,8 x 53,4 cm
Bart StolleUntitled (Heat upon Heat)2022acrylic on canvas40 x 40 cm
Photo: Peter CoxCourtesy Zeno X Gallery, AntwerpInstallation view
Mircea SuciuStudy for Washed-Up Artist2020acrylic and monotype on wood8 x (42 x 30 cm)
Mircea SuciuAmerica (after Velázquez) (4)2021oil and acrylic on linen144 x 147 cm
Mircea SuciuDisintegration (part of High Anxiety series)2021acrylic and monotype on linen148 x 125 cm
Mircea SuciuAmerica (part of Strange Fruit series after Velázquez)2021oil and acrylic on linen130 x 105 cm
Mircea SuciuStill Life with Movie Projection2021oil, acrylic and monotype on linen138 x 102 cm
Mircea SuciuCamouflage (1)2021acrylic, monotype and varnish on wood42 x 30 cm
Mircea SuciuCamouflage (3)2021acrylic and monotype on wood42 x 30 cm
Mircea SuciuDead Cock (Donald) (after Metsu)2021oil on linen185 x 120 cm
Photo: Peter CoxCourtesy Zeno X Gallery - AntwerpInstallation view
Photo: New Folder StudioCourtesy /SAC BucharestInstallation view
Mircea SuciuStargazing2019oil, acrylic and monoprint on linen65,4 x 60,4 cm
Mircea SuciuBazaar (2)2018 - 2019oil, acrylic and monoprint on linen182,2 x 143,4 cm
Mircea SuciuBetween Heart and Brain2018oil, acrylic and monoprint on linen57,4 x 57,4 cm
Mircea SuciuGirl Power2019oil, acrylic and monoprint on linen34,5 x 25,5 cm
Mircea SuciuProtection2019oil, acrylic and monoprint on linen34,4 x 25,2 cm
Mircea SuciuA Large Smile (self-portrait)2019oil, acrylic and monoprint on linen32,5 x 27,2 cm
Mircea SuciuExquisite Kind of Agony2019oil, acrylic and monoprint on linen110,3 x 170,2 cm
Mircea SuciuStudy for Medusa (1)2019oil, acrylic and monoprint on linen114,4 x 82,3 cm
Mircea SuciuStudy for Medusa (3)2019oil, acrylic and monoprint on linen82,5 x 114,5 cm
Mircea SuciuShallow and Profound2019oil, acrylic and monoprint on linen82,5 x 57,3 cm
Mircea SuciuStrange Fruit (final series - 2)2019oil, acrylic and monoprint on linen145,2 x 92,4 cm
Anton CorbijnJohnny Halliday, London1994inkjet print on Hahnemühle 285 grs. fine art pearl photo paper, mounted on dibond (edition of 5 + 2 AP)
Anton CorbijnKurt Cobain, Seattle1993inkjet print on Hahnemühle 285 grs. fine art pearl photo paper mounted on dibond (edition of 5 + 2 AP)
John KörmelingDrollie's Kamer (Drollie's Room)2015pencil on coloured paper21 x 29,7 cm
John KörmelingDe Wereld in Rechte Lijnen2016pencil on paper21 x 30 cm
John KörmelingDe Kloppende Kalender2017pencil on paper29 x 41,5 cm
Raoul De KeyserUntitled1999watercolour on paper16 x 11 cm
Anne-Mie Van KerckhovenModerne Anesthesie (Modern Anesthesia)2017pencil, coloured pencil, oil pastel, soft pastel and ink on paper30,5 x 40,5 cm
Anne-Mie Van KerckhovenIl l'avait connu à port Said (He Had Known Him in Port Said)2017pencil, coloured pencil, oil pastel, soft pastel and ink on paper30,5 x 40,5 cm
Anne-Mie Van KerckhovenUne italienne nommée Carmen (An Italian Woman Named Carmen)2015-2017pencil, coloured pencil, oil pastel, soft pastel and ink on paper30,5 x 40,5 cm
Anne-Mie Van KerckhovenI Tried to Drown My Sorrows2017pencil, coloured pencil, oil pastel, soft pastel and ink on paper32 x 24 cm
Anne-Mie Van KerckhovenSome Style Is Legendary2017pencil, coloured pencil, oil pastel, soft pastel and ink on paper30,5 x 22,8 cm
Mircea SuciuStudy for Noumena (2)2015oil, acrylic and silkscreen on paper65,5 x 45,5 cm
Mircea SuciuStudy for Noumena (4)2015oil, acrylic and silkscreen on paper65,5 x 45,5 cm
Mircea SuciuStudy for Noumena (3)2015oil, acrylic and silkscreen on paper65,5 x 45,5 cm
Mircea SuciuStudy for Noumena (1)2015oil, acrylic and silkscreen on paper65,5 x 45,5 cm
Johannes KahrsUntitled (nude with shadow)2017charcoal and pastel on paper143,5 x 109,2 cm
Yun-Fei JiParty Secretary's Dream2015ink and watercolour on Xuan paper mounted on silk38,6 x 104,4 cm
Yun-Fei JiThe Meeting2015ink and watercolour on Xuan paper mounted on silk80,4 x 62,8 cm
Cristof YvoréUntitled2008collage, pencil and graphite on digital print27 x 39 cm
Cristof YvoréUntitled2013ballpoint pen and soft pastel on paper21,9 x 29,7 cm
Cristof YvoréUntitled2011gouache on paper14 x 11,5 cm
Jan De MaesschalckDeparture at the crack of day2016acrylic on paper68,5 x 52 cm
Jan De MaesschalckDomesticated #82015acrylic on newspaper30 x 44,4 cm
Jan De MaesschalckDomesticated #212015acrylic on newspaper30 x 22,2 cm
Anton CorbijnNick Cave (piano), London1997inkjet print on Hahnemühle 285 grs. fine art pearl photo paper, mounted on dibond (edition of 5 + 2 AP)125 x 125 cm
Bart StolleLFMS0502152015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS1508152015ink and pencil on paper13,2 x 21 cm
Bart StolleLFMS0608152015ink and pencil on paper13,2 x 21 cm
Bart StolleUntitledDBS2015_091pencil and ink on pape
Grace SchwindtThree Steel Sculptures and Salt in Corridor from Above2015pencil, acrylic on paper42 x 27,5 cm
Grace SchwindtDancer in Colour Dress2016pencil, acrylic on paper42 x 29,7 cm
Grace SchwindtFamily House2014pencil, acrylic on paper40,5 x 29,3 cm
Grace SchwindtDancer Pausing on Shape2016pencil, acrylic on paper29,7 x 42 cm
Grace SchwindtBlade2014pencil, acrylic on paper34,9 x 27,7 cm
Grace SchwindtRed Rectangle2014pencil, acrylic on paper34,2 x 27,7 cm
Grace SchwindtFigure for a Dance2015pencil, acrylic on paper42 x 29,7 cm
Mircea SuciuGhost2014oil, acrylic and monoprint on linen216 x 187 cm
Mircea SuciuDizziness of Freedom (1)2016oil, acrylic and monoprint on linen193,8 x 164,5 cm
Mircea SuciuCamouflage (Wrong Majority) (1)2016oil, acrylic and monoprint on linen183 x 290 cm
Mircea SuciuLeading by Example (St. Groblan 1)2016oil, acrylic and monoprint on linen283 x 190 cm
Mircea SuciuLeading by Example (St. Groblan) (2)2016oil, acrylic and monoprint on linen283 x 190 cm
Mircea SuciuStudy for Dizziness of Freedom (4)2016oil, acrylic and monoprint on linen143 x 150 cm
Mircea SuciuDisintegration (Noumena Series)2016oil, acrylic and monoprint on linen168 x 135 cm
Mircea SuciuInside out (1)2016oil, acrylic and monoprint on linen50 x 50 cm
Photo: Peter CoxCourtesy Zeno X Gallery - Antwerp
Photo: Dan VezentanCourtesy MNAC, BucharestInstallation view
Johannes KahrsUntitled (dark palm)2014oil on canvas201,0 x 200,0 cm
Johannes KahrsUntitled (angry girl)2013oil on canvas2 x (98,2 x 76,3)
Raoul De KeyserKanovaren (Canoeing)1967acrylic and dispersion paint on canvas150 x 120 cm
Raoul De KeyserZinkend (Sinking)1983oil on canvas200 x 150 cm
Mark MandersCollage with Fake Newspapers2008 - 2013offset print on paper, acrylic, chicken wire120 x 84 cm
Mark MandersFigure Study1997 - 2013painted wood, canvas, rope, iron165 x 40 x 30 cm
Mark MandersShadow Study2012iron, wood, painted epoxy150,5 x 52 x 65 cm
Patrick Van CaeckenberghDe Duizendjarige Olijfboomgaard (The Thousand-year-old Olive Grove)2013 - 2014 - 2018graphite and paint on paper, chalkboard paint and chalk on wood117 x 322,8 x 58,5 cm
Raoul De KeyserHet Niets Aangenaam Gevuld met Weinig1971acrylic on canvas190 x 190 cm
Mircea SuciuDust to Dust2014charcoal and monoprint on papervariable dimensions
Mircea SuciuStill Life (1)2014oil, acrylic and monoprint on linen289 x 194 cm
Mircea SuciuMoving to the Right2014oil, acrylic and monoprint on linen192 x 246 cm
Mircea Suciu19882014oil, acrylic and monoprint on linen50 x 50 cm
Mircea SuciuIron Curtain2014oil, acrylic and monoprint on linen199,5 x 142 cm
Mircea SuciuOracle2014oil, acrylic and monoprint on linen110 x 90 cm
Mircea SuciuStill Life (4)2014oil, acrylic and monoprint on linen142,7 x 88 cm
Mircea SuciuThe Fall2014oil, acrylic and monoprint on linen190 x 287 cm
Kim JonesUntitled2010 - 2011acrylic and ink on photograph25,2 x 20,2 cm
Michaël BorremansNoses III2011pencil and watercolour on paper22,5 x 29,7 cm
Michaël BorremansNoses I + II2010pencil and watercolour on paper2 x (16,4 x 24,8 cm)
Bart StolleLandscape2013ink and acrylic on paper29,5 x 40,5 cm
Bart StolleMovements in space2013ink and acrylic on paper29,5 x 40,5 cm
Bart StolleCity2013ink and acrylic on paper29,5 x 40,5 cm
Bart StolleUntitled 13/22013ink on paper21 x 13,4 cm
Bart StolleHollorith 22013ink on paper21 x 13,4 cm
Bart StolleUntitled 12/22012ink and acrylic on paper21 x 13,4 cm
Bart StolleUntitled 12/052012pencil, ink and acrylic on paper21 x 13,5 cm
Bart StolleUntitled 11/22011pencil and acrylic on paper21 x 13,5 cm
Bart StolleAtoumat2008pencil, watercolour and acrylic on paper21 x 13,5 cm
Bart StolleKeep on Tryin'2008watercolour on paper20,9 x 13,5 cm
Bart StolleUntitled2008ink and pencil on paper21 x 13,5 cm
Bart StolleUntitled2008watercolour on paper21 x 13,5 cm
Patrick Van CaeckenberghOntwerp voor Torso (Design for Torso)1999collage, watercolour85,5 x 30 cm
Patrick Van CaeckenberghOntwerp voor Torso (Design for Torso)1999collage, watercolour72 x 20,5 cm
Patrick Van CaeckenberghOntwerp voor Torso (Design for Torso)1999collage, watercolour76 x 23,5 cm
Patrick Van CaeckenberghOntwerp voor Torso (Design for Torso)1999collage, watercolour68,5 x 19,5 cm
Kim JonesUntitled2013acrylic and ink on photograph30,4 x 20,3 cm
Kim JonesUntitled1974 - 1980s- 2010acrylic and ink on photograph45,7 x 30,5 cm
Kim JonesUntitled1980 - 2010acrylic and ink on photograph45,7 x 30,3 cm
Kim JonesUntitled1999 - 2009acrylic and ink on photograph45,7 x 30,4 cm
Yun-Fei JiMarshal Peng Dehuai and His Hungry Ghosts2007mineral pigments and ink on rice paper81,5 x 173,5 cm
Raoul De KeyserUntitled2002watercolour on Ingres paper64,5 x 47,8 cm
Mark MandersYellow Bathtub1997sand and glue on paper240 x 462 cm
Anne-Mie Van Kerckhoventch'eng (7 9 2012)2012mixed media77 x 50 cm
Anne-Mie Van Kerckhoven3 versus 5 (10 9 2012)2012mixed media77 x 50 cm
Photo: Stefan AltenburgerInstallation view
“Mircea Suciu: Bleeding Heart” GalleryViewer, article by Manuela Klerkx (online) October 2021
“Mircea Suciu Captures the Psychological Undercurrents of Now” www.ocula.com, article by Tessa Moldan (online) September 2021
“Mircea Suciu – Besieged by Fear – Romanian artist Mircea Suciu makes portraits of a humanity that is struggling to escape, to break out of confinement, to withstand the burden of worries and guilt” Guilt Issue, no. 8, article by Tuna Yigit (p.100-111) Autumn/Winter 2019
“Je ne sais même pas si je fais de la peinture. Mircea Suciu & Ami Barak en conversation” L’Officiel ART, no.26, article by Ami Barak (p.60-67) June/August 2018
Vellant Publishing HouseBucharest, Romania, 202288 pages, ISBN 9786069801406
Zeno X Books, Hannibal & König BooksLondon, United Kingdom, 2019111 pages, ISBN 9783960985884
Jason HaamSeoul, Korea, Republic of, 201869 pages