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Marina RheingantzChuá2023oil on canvas160 x 210 cm
Marina RheingantzFubá2022oil on linen150 x 180 cm
Marina RheingantzSexy X2022oil on canvas130 x 110 cm
Marina RheingantzUp Side Down2022oil on linen130 x 110 cm
Marina RheingantzPirilampa2022oil on canvas160 x 210 cm
Marina RheingantzElla2022oil on canvas160 x 210 cm
Marina RheingantzI've been there2021oil on linen90 x 80 cm
Marina RheingantzSexy Lady2021oil on canvas130 x 110 cm
Marina RheingantzOwl2021oil on canvas190 x 170 cm
Marina RheingantzJangada2021oil on linen90 x 70 cm
Marina RheingantzCacique2020oil on canvas170 x 210 cm
Marina RheingantzAno Novo2020oil on canvas41 x 60 cm
Marina RheingantzStarlight2020oil on canvas160 x 210,3 cm
Marina RheingantzVidigal2020oil on canvas36,5 x 31,5 cm
Marina RheingantzAurora2020oil on canvas240 x 350 cm
Marina RheingantzDNA2020oil on canvas81 x 60,5 cm
Marina RheingantzCasulo2020embroidery20,5 x 25,5 cm
Marina RheingantzPangea2020oil on canvas170,4 x 170,5 cm
Marina RheingantzShark Attack2019 - 2020oil on canvas150 x 130 cm
Marina RheingantzMaretak2019oil on canvas150 x 130 cm
Marina RheingantzColuna2019embroidery39,5 x 32,6 cm
Marina RheingantzEspinho2019oil on linen80 x 90 cm
Marina RheingantzTravessia2019oil on canvas150 x 200 cm
Marina RheingantzAgua Viva2019oil on linen80 x 60 cm
Marina RheingantzA Deriva2019oil on canvas171 x 210,5 cm
Marina RheingantzVéu2019oil on canvas180 x 230 cm
Marina RheingantzTrapezio2019oil on canvas210 x 370 cm
Marina RheingantzNinho2019oil on canvas50 x 60 cm
Marina RheingantzMirror2019oil on canvas50,3 x 40,3 cm
Marina RheingantzNoturno em Si Maior2019oil on canvas230 x 330 cm
Marina RheingantzEarth on Fire2019oil on canvas50 x 60,5 cm
Marina RheingantzFffffff2018oil on canvas200 x 300 cm
Marina RheingantzEnrique2018oil on canvas160 x 130 cm
Marina RheingantzLápis de cor2017tapestry30,7 x 44 cm
Marina RheingantzLanterna dos Afogados2017tapestry34,2 x 41,5 cm
Marina RheingantzSiri2017oil on canvas80 x 90 cm
Marina RheingantzStage2017oil on canvas30 x 24 cm
Marina RheingantzGalope2017oil on canvas160 x 130 cm
Marina RheingantzPrecipitacão2017oil on canvas80 x 90 cm
Marina RheingantzLelove2017oil on canvas170 x 210 cm
Marina RheingantzAB2017oil on canvas80 x 90 cm
Marina RheingantzArapuca2017oil on wood25,5 x 20,5 cm
Marina RheingantzSilkworm2017oil on canvas130 x 110 cm
Marina RheingantzXilofone2017oil on canvas200 x 250 cm
Marina RheingantzLanterna2016oil on linen90 x 80 cm
Marina RheingantzSerra das confusoes2015acrylic on canvas24 x 30 cm
Marina RheingantzP2015acrylic on canvas18 x 24 cm
BRAVE NEW WORLD
De Fundatie, Zwolle, The Netherlands January 28 - June 11, 2023
Marina Rheingantz is now part of the collection of the Dallas Museum of Art (USA). The museum has recently acquired the work Suor (2021).
SCHUREND PARADIJS
Kunsthal KAdE, Amersfoort, The Netherlands February 5, 2022 - August 14, 2022
MARINA RHEINGANTZ
FRAC Auvergne, Clermont-Ferrand, France June 26 - September 19, 2021
A video about Marina Rheingantz's exhibition 'Madrigal' at Zeno X Gallery.
Zeno X Gallery, Antwerp Borgerhout, Belgium March 10 - April 24, 2021
Marina Rheingantz, b. 1983 in Araraquara (BR), lives and works in São Paulo (BR).
Marina Rheingantz lives and works in São Paulo but grew up in the rural region of Araraquara. The diverse and vast landscape of her youth is still an important source of inspiration for her artistic practice. While there is a rich tradition of landscape painting in Brazil, Rheingantz's works stand out because they also reveal the country’s industrialization and modernization.
Marina Rheingantz always works from memory. The photographic recordings she makes on location serve purely as mnemonics. She creates the landscapes she wants to (re)visit, but they seem in a state of constant transformation. Her work is not about the pure reconstruction of a landscape, but about revealing the course of the viewing experience. The different layers of earth and vegetation in her paintings have distinct functionalities and are clearly marked by heavy contours. For her, oil paint works like clay, like a natural material that can be moulded. Parts of the picture plane are usually more difficult to read, often at the intersection of sky and land. This is where the painterly qualities of her work triumph, suggesting rather than evoking. The visited and invented landscapes and places are in a sense detached from reality because of the abstract reduction that takes place.
Music is an important source of inspiration for the artist. She compares a painting to an orchestra: when something is added to the canvas, she has to ensure that the composition remains balanced, just as the orchestration must be changed when an extra voice joins the ensemble. Marina Rheingantz has had solo exhibitions at FRAC Auvergne (Clermont-Ferrand) and Carpinteria (Rio de Janeiro). Her work has featured in group shows at Estação Pinacoteca (São Paulo), Kunsthal KAdE (Amersfoort), FRAC Auvergne (Clermont-Ferrand), Casa da Cultura (Comporta), Hakodate Museum of Art (Hokkaido), Museu de Arte Moderna do Rio de Janeiro and Cité des Arts (Paris).
Marina Rheingantz joined the gallery in 2017.
Marina Rheingantz (b. 1983) currently lives and works in São Paulo, but she grew up in the rural region of Araraquara. The diverse and magnificent landscape of her youth is still an important source of inspiration for her artistic practice. There is a rich tradition of landscape painting in Brazil, but Rheingantz’s works stand out because they also reveal the country’s industrialization and modernization.
Marina Rheingantz always works from memory. The photographic recordings she makes on location serve purely as mnemonics. She creates the landscapes she wants to (re)visit, but they always seem to be under construction. Her work is not about the pure reconstruction of a landscape, but about revealing the course of the viewing experience. The work Mirror, for example, represents her impressions of the city of Clermont-Ferrand, which she visited in preparation of her solo exhibition at FRAC Auvergne that will open in June 2021. Light and atmosphere often play an important role in her works.
Music is an important source of inspiration for the artist. She compares a painting to an orchestra: when she adds something to the canvas, she has to ensure that the composition remains balanced, just as the orchestration must be changed when an extra voice joins the orchestra. The monumental painting Noturno em Si Maior takes its title from the ‘Nocturnes’ of Frédéric Chopin, and is also a nocturnal scene. The titles of her works only emerge after the creation of the work, and in consultation with the poet Lucas Fazzio. Madrigal refers to a polyphonic composition for vocal music, but they chose it just as much for the musicality of the three syllables.
Clear contours generally mark out the various components that make up her landscapes, i.e. soil, vegetation, sky. While the dividing line between sky and land is sometimes difficult to read as a boundary, this is precisely the place where her painterly abilities come into their own. Through reduction and abstraction, she manages to separate the visited and imagined landscapes from reality and transform them into a painterly reality. The process is very important to Marina Rheingantz; she compares oil paint with clay or mud, a natural material she can model and sculpt.
For the first time, Marina Rheingantz will also show fabric works at Zeno X Gallery. They are often details from large paintings. In the past she translated embroidered fabrics into paintings, as if each brushstroke is applied to the canvas like a stitch. Now she has reversed the process. These works deconstruct and dissect the spontaneous touches of paint, transforming them into successive mechanical actions. The grid of the (embroidery) stitches contributes to the rhythmic and linguistic reading of her work.
Marina Rheingantz will have a museum solo exhibition in 2021 at FRAC Auvergne in Clermont-Ferrand. Her work is part of several public collections such as Museu Serralves in Porto, Pinacoteca do Estado de São Paulo, The Rubell Collection in Miami, The Igal Ahouvi Collection in Tel Aviv, de Taguchi Art Collection in Tokyo, amongst others.
We are proud to announce the first solo exhibition of Marina Rheingantz at Zeno X Gallery.
Marina Rheingantz (b. 1983) lives and works in São Paulo, but grew up in the rural region of Araraquara, where her family owned land. The diverse and vast landscape of her youth still inspires her landscape paintings.
While there is a rich tradition of landscape painting in Brazil, the works of Marina Rheingantz distinguish themselves by including traces of industrialism and modernity. Utility poles, transmission towers and wind turbines are vertical elements that often stand out in the landscape and give the paintings their contemporariness. Roads and highways connect Brazil’s rural backlands to the busy metropolises. The landscape is in constant transformation, due not so much to natural evolution as to the desires of capital. Although her works may at first seem idyllic or nostalgic, they show rather the reality of modernity.
The different layers of earth and vegetation in Rheingantz’s works have distinct functionalities and are clearly marked by heavy contours. There are also parts in the picture plane that are difficult to read, often at the intersection of sky and land. This is where the painterly qualities of her work triumph, suggesting rather than evoking.
The visited and invented landscapes and places are in a sense detached from reality because of the abstract reduction that takes place. Some of the works still refer to existing places such as Riode Janeiro and Serra das Confusões, a famous national park in Brazil. The places remind Rheingantz of the scents that she perceived and the conversations that she had there, although people never feature in the paintings.
Process is of great importance to Marina Rheingantz. For her, oil paint works like clay, like a natural material that can be moulded. She seeks to create the landscapes that she wants to (re)visit, but they forever seem under construction.
The title of the exhibition, Galope, refers to a horse’s gallop but can also hint at the speed of life – how fast things change all the time. Galope gives the painting of the same name a sound and a movement.
Luc TuymansHappy Birthday2023oil on canvas218 x 131 cm
Jack WhittenSeven Loops For Elizabeth Murray2011acrylic on canvas
Marina RheingantzMaria Ruth2023oil on canvas150 x 130 cm
Raoul De KeyserSketch (La Mancha)2006oil on canvas, charcoal and gesso100 x 125 cm
Marlene DumasBermuda Triangle2000oil on canvas100 x 56 cm
Marina RheingantzBraquiaria2022oil on linen130 x 110 cm
Salman ToorLoincloth Man2023oil on panel61 x 45,7 cm
Strauss Bourque-LaFranceLA L'AGUNA2023acrylic, Flashe (vinyl paint), graphite, canvas collage and adhesives on canvas30,5 x 40,6 cm
Strauss Bourque-LaFranceDusk Chain2023acrylic, Flashe (vinyl paint), graphite, canvas collage and adhesives on canvas50,8 x 40,6 cm
Strauss Bourque-LaFranceOld Yolk2023acrylic, Flashe (vinyl paint), graphite, canvas collage and adhesives on canvas38,1 x 50,8 cm
Raoul De KeyserRests2007acrylic and gesso on canvas56 x 71 cm
Photo: Peter CoxCourtesy Zeno X Gallery, AntwerpSoul Mapping - installation view
Photo: Peter TijhuisCourtesy De Fundatie, ZwolleInstallation view
Martin MargielaBodypart b&w2018 - 2020oil pastel on projection screen123 x 222 x 8 cm
N. DashUntitled2022earth, acrylic, canvas, fabric, silkscreen ink, jute151,13 x 78,74 cm59,5 x 31 in
Pietro RoccasalvaStudy for Giocondità2022oil on canvas48 x 64 cm
Kim JonesUntitled2001 - 2007acrylic and ink on photograph45,7 x 30,5 cm
Jenny ScobelAmanda (II)2011pencil, watercolour and wax on gessoed wood81,3 x 61 cm
Pélagie GbaguidiCare2020dry pastel and wool on paper21 x 29 cm
Pélagie GbaguidiCare2020dry pastel on paper29 x 21 cm
Mircea SuciuStudy for "Empathy for Destruction"2022oil, acrylic, liquin, charcoal and varnish on linen70 x 50 cm
Jockum NordströmCat Dog Cat2016collage, watercolour and graphite on paper40 x 50 cm
Hyun-Sook Song9 Brushstrokes2017tempera on canvas130 x 70 cm
Jan De MaesschalckImpersonation (based on a photo by Johan Jacobs)2022oil on canvas65,2 x 55,2 cm
Yun-Fei JiThe Dead Are also Moving2007mineral pigments and ink on rice paper89,5 x 97 cm
Grace SchwindtGuard2022ceramic and bronze (edition of 3 + 1 AP)53 x 9 x 9 cm
Kees GoudzwaardOn Display2022oil on canvas70 x 60 cm
Susan HartnettOct. 11 2011 #2, Blue-joint grass (Calamagrostis canadensis)2011charcoal on paper56,5 x 76 cm
Jack WhittenSilver Centerfold2015acrylic on panel3 x (30,5 x 30,5 cm)
Philip Metten2203222022oil and thread on canvas23,1 x 23,2 cm
Paulo MonteiroUntitled2016oil on bronze (edition of 3 + 1 AP)56 x 2 x 4 cm
Paulo MonteiroUntitled2018oil on bronze (edition of 3)16,6 x 10,5 x 4,8 cm
Paulo MonteiroUntitled2016bronze (edition of 2 + 1 AP)18,5 x 62 x 22,5 cm
Naoto KawaharaNaked Girl2022oil on canvas72,8 x 53,4 cm
Bart StolleUntitled (Heat upon Heat)2022acrylic on canvas40 x 40 cm
Photo: Peter CoxCourtesy Zeno X Gallery, AntwerpInstallation view
Photo: Kunsthal KAdECourtesy the artistInstallation view
Photo: Mike BinkCourtesy the artistInstallation view
Photo: Ludovic CombeInstallation view
Marina RheingantzGraveto2020embroidery33 x 29,5 cm
Marina RheingantzCacau2020oil on canvas150 x 180 cm
Marina RheingantzMetamorfose2020oil on canvas22 x 27 cm
Photo: Peter CoxCourtesy Zeno X Gallery - AntwerpInstallation view
Photo: Eduardo OrtegaCourtesy Fortes D'Aloia & Gabriel, São Paulo/Rio De JaneiroInstallation view
Photo: Rik VannevelInstallation view
Photo: Rik VannevelInstallation view Marina Rheingantz
Photo: Rik VannevelInstallation view Dirk Braeckman
Photo: Rik Vannevelinstallation view Marina Rheingantz
Marina RheingantzRadio pirata2017oil on canvas200 x 300 cm
Marina RheingantzFonte2017oil on canvas50 x 40 cm
Marina RheingantzBalão2017oil on canvas80 x 60 cm
Marina RheingantzRio de Janeiro2016acrylic on canvas24 x 30 cm
Marina RheingantzPelego2017oil on canvas80 x 60 cm
Photo: Kei OkanoCourtesy the artist and Nichido Contemporary Art, TokyoInstallation view
Alfond Collection of Contemporary Art, Florida, United States of America Centre Pompidou, Paris, France Centro Cultural São Paulo, São Paulo, Brazil Dallas Museum of Art, Dallas, United States of America Igal Ahouvi Collection, Tel Aviv, Israel Inhotim, Brumadinho, Brazil Instituto Itaú Cultural, São Paulo, Brazil Instituto Figueiredo Ferraz, Ribeirão Preto, Brazil Lewben Art Foundation, Vilnius, Lithuania MAM Museu de Arte Moderna do Rio de Janeiro, Rio de Janeiro, Brazil Museum of Fine Arts, Boston, United States of America Museu Serralves – Museu de Arte Contemporânea, Porto, Portugal Museum Voorlinden, Wassenaar, The Netherlands Pinacoteca do Estado de Sao Paulo, Sao Paulo, Brazil Pinault Collection, Paris, France Rubell Family Collection, Miami, United States of America Taguchi Art Collection, Tokyo, Japan Williams College Museum of Art, Williamstown, Massachusetts, United States of America
“Marina Rheingantz in the Studio” www.ocula.com, article by Rory Mitchell (online) November 2022
“Marina Rheingantz” FRAC Auvergne Clermont-Ferrand, text by Jean-Charles Vergne September 2021
“Achtergelaten bouwmateriaal, bewijs voor een platte aarde en andere galerietips. De zoektocht van Marina Rheingantz” www.nrc.nl, article by Hans den Hartog Jager (online) March 2021
“Al Freeman and Marina Rheingantz” The New York Times, article by Roberta Smith (online) May 2018
FRAC AuvergneClermont-Ferrand, France, 2021215 pages, ISBN 9782907672320
Editora de Livros CobogoRio de Janeiro, Brazil, 2016184 pages, ISBN 9788555910166