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Kim JonesUntitled1984 - 2007acrylic and ink on photograph40,6 x 60,6 cm
Kim JonesUntitled1972 - 2005ink, acrylic on paper57 x 72,3 cm
Kim JonesUntitled2018acrylic and ink on canvas57,2 x 72,2 cm
Kim JonesPlant Wars1980 - 2013 - 2016acrylic and ink on photograph40 x 32,9 cm
Kim JonesUntitled2010 - 2015ink and paint on canvas97,6 x 132,3 cm
Kim JonesUntitled1974 - 2005acrylic and ink on paper57,2 x 72,4 cm
Kim JonesUntitled2014acrylic and ink on photograph45,9 x 30,5 cm
Kim JonesUntitled2012 - 2014acrylic and ink on colour photograph45,7 x 27,9 cm
Kim JonesUntitled1971 - 2013ink and acrylic on paper57,3 x 72,3 cm
Kim JonesT-Shirt 12003 - 2014acrylic, ink, tape, wood, cord, cloth101,5 x 96,5 x 12,7 cm
Kim JonesUntitled1974 - 2014acrylic and ink on photograph
Kim JonesUntitled2005 - 2013ink and acrylic on paper57,0 x 72,0 cm
Kim JonesUntitled2011acrylic and ink on photograph25,4 x 20,3 cm
Kim JonesUntitled2010 - 2011acrylic and ink on photograph25,2 x 20,2 cm
Kim JonesRat Box2004 - 2009 - 2010acrylic, ink, graphite and rubber rat, in artist's made box41,9 x 48,3 x 34,3 cm
Kim JonesDoll2003 - 2011plastic, wood, cord, acrylic and ink61,0 x 51,0 x 21,0 cm
Kim JonesUntitled1999 - 2009acrylic and ink on photograph45,7 x 30,4 cm
Kim JonesWar Drawing T-Shirt2003 - 2007acrylic and ink on shirt
Kim JonesUntitled (war drawing)1994 - 1995 - 2007pencil on paper63,6 x 96,3 cm
Kim JonesUntitled1980 - 2007acrylic and ink on photograph30,5 x 45,7 cm
Kim JonesUntitled2001 - 2007acrylic and ink on photograph45,7 x 30,5 cm
Kim JonesCoolman Between Good and Bad1984 - 2004 - 2005black and white photograph, acrylic, ink50,5 x 40,5 cm
Kim JonesUntitled1984 - 2004 - 2005black and white photograph, acrylic, ink50,5 x 40,5 cm
Kim JonesUntitled1978 - 1984 - 2005acrylic and ink on paper57,2 x 72,4 cm
Kim JonesUntitled (Doll House)1974 - 2013acrylic and graphite on wood92,0 x 90,5 x 72,0 cm
Kim JonesMudman Structure (large)1974 - 1980 - 1986 - 1998 - 2008mixed media213,0 x 264,0 x 100,0 cm
Kim JonesUntitled1955 - 1999acrylic on xerox43,2 x 27,9 cm
WALKING HOME
The Box, Los Angeles, The United States of America September - October, 2023
The Smithsonian American Art Museum recently acquired the work "Mudman Structure (large)" (1974 - 2008)" by Kim Jones.
Kim Jones talking about his practice and his alter ego 'Mudman'.
ARTISTS RESPOND: AMERICAN ART AND THE VIETNAM WAR, 1965 - 1975
Smithsonian American Art Museum, Washington D.C., United States of America March 15 - August 18, 2019
The Whitney Museum of American Art recently acquired the work "Untitled" (1972-2004)" by Kim Jones.
WHITE CROW
The Aldrich Contemporary Art Museum, Ridgefield, United States of America May 1 - February 5, 2017
Kim Jones, b. 1944 in San Bernardino, California (US), lives and works in New York (US).
For more than five decades Kim Jones has been working on a consistent oeuvre composed of drawings, sculptures, installations and performances. Two moments in Jones’s life profoundly inform the content of his work. At a young age he was diagnosed with a polio-like illness which confined him to a wheelchair. To combat the boredom he began to draw intensively. The drawings he made were inspired by the war games he played as a child and represented battlefields in which Xs and dots attacked each other. These drawings would later take on an entirely different layer of meaning when Jones served in the Vietnam War, a second event that would have an immense impact on his work.
In the mid 1970s, Jones developed his alter ego, Mudman. The artist covered himself in mud and appeared in the city streets wearing a construction on his back made out of sticks, pieces of cloth and foam rubber. Jones turned his body into a living sculpture and by doing so brought art into the public space. At that time, Los Angeles was the place where artists such as Paul McCarthy, Chris Burden and Barbara T. Smith were coming together to organize exhibitions and live performances. The body, civil-rights activism, sexual liberation and opposition to the war were prominent themes.
Given the ephemeral character of the medium, the photos of his performances proved to be highly important documents. For Jones, however, the photos are more than just documentation. He continues to draw and paint on the prints and as such creates autonomous works. Photographic pieces are often combined with fantastic figures and connected by association. The drawings often have different dates because Jones continues to work on them over the years. Erasing, changing and transmuting forms and figures are typical of his drawing practice as is the horror vacui.
The work of Kim Jones is included in the prominent public collections of Metropolitan Museum of Art (New York), MoMA (New York), Museum of Contemporary Art (Los Angeles), Centre Pompidou (Paris), Hammer Museum (Los Angeles), LACMA (Los Angeles), Museum Boijmans Van Beuningen (Rotterdam), SFMOMA (San Francisco) and Whitney Museum of American Art (New York).
Kim Jones participated in the Venice Biennale in 2007 and the Biennale of Sydney in 2010. His work has featured in group shows at Guggenheim Museum (New York), MCA San Diego, Museum of Contemporary Art (Los Angeles), Smithsonian American Art Museum (Washington, D.C.), MoMA (New York), LACMA (Los Angeles) and The Drawing Center (New York).
Kim Jones joined the gallery in 2002.
Kim Jones was born in 1944 in San Bernardino, California but has lived and worked in New York since 1982. For the past five decades Jones has been building up a consistent body of work that includes drawings, sculptures, performances and installations. The Last Shape of Things is his fifth solo exhibition since he joined Zeno X Gallery in 2003.
A number of biographic elements help to understand certain motifs better. At the age of seven, for instance, Kim Jones was diagnosed with Perthes’ disease, a disorder of the hip joint, and was forced to spend three years in a wheelchair. To combat the boredom he began to draw intensively. The drawings he made were inspired by the war games that he played as a child and represented battlefields in which crosses and points attacked each other. These drawings would later lead to his famous ‘war drawings’, which took on an entirely new layer of meaning once he had taken part in the Vietnam War between 1966 and 1969.
In the early 1970s Kim Jones returned to Los Angeles where he developed his alter ego, ‘Mudman’. At the time LA was the place where artists such as Paul McCarthy, Chris Burden, Barbara T. Smith, Allan Kaprow and John Baldessari were coming together to organize exhibitions, live actions and performances. The body, civil-rights activism, sexual liberation and opposition to the war were prominent themes. As Mudman, Kim Jones wandered the streets of Los Angeles, taking in the beach, the subway and the art galleries. He was barely dressed but was smeared with mud, and on his back he carried a construction made out of branches, pieces of cloth and foam rubber. Jones turned his body into a living sculpture and in doing so brought art into the public space.
Given the ephemeral character of the medium, the photos that were made during his performances proved to be highly important documents. For Jones, however, the photos are a lot more than just documentation; he continues to draw and paint on the prints and as such creates autonomous works. Photographic pieces are often combined with fantastic figures and elements from his dreams and connected by association. The drawings often have different dates because Jones continues to work on them over the years. Erasing, changing and transmuting forms and figures are typical of his drawing practice as is the horror vacui. Jones regularly seeks to connect with his works by ‘updating’ them.
During his residency at PS1 in New York in 1983-1984, he created a sculpture that he could carry on his back when he performed as his alter ego, Mudman. This ‘Mudman Structure (small)’ is presented in the exhibition as a historic artefact and as a remnant of his performative practice. The same structure was also used in performances that he carried out in the New York subway and in the New Museum in New York in 1986.
During his residency at PS1, Jones also started painting and working on the clothes that he wore. He transformed his T-shirts, jackets and shoes into Mudman-like sculptures, covered in war drawings.
The work of Kim Jones is included in the prominent public collections of the Metropolitan Museum of Art, New York; MoMA, New York; Museum of Contemporary Art, Los Angeles; Centre Pompidou, Paris; Hammer Museum, Los Angeles; LACMA, Los Angeles; Museum Boijmans Van Beuningen, Rotterdam; SFMOMA, San Francisco; Whitney Museum of American Art, New York, amongst others.
The work of Kim Jones has featured in group exhibitions such as the Sydney Biennale; Venice Biennale; Guggenheim Museum, New York; MCA, San Diego; Museum of Contemporary Art, Los Angeles; MoMA, New York; LACMA, Los Angeles; The Drawing Center, New York. His work will soon be on show at the Smithsonian American Art Museum in Washington.
Catalogus Kim Jones 2016
We are pleased to introduce you a new solo show by Kim Jones, who joined the gallery more than ten years ago. ‘Walgrove’ includes drawings and sculptures that have been revised or created the past three years. Kim Jones’s work encompasses performance, sculpture, painting, drawing and video. Born in San Bernardino, California in 1944, Jones has lived and worked in New York City since 1982.
The title ‘Walgrove’ refers to all three schools Jones attended – Walgrove Elementary, Mark Twain Junior High and Venice High – are linked by Walgrove Avenue. Even his Sunday school was at the Baptist church on Walgrove. More or less on the border between Mar Vista and Venice, California, much of his sense of the world began on Walgrove.
The work by Kim Jones is very intense, physical, expressive, disturbing and uncanny. It brings a language one connects with the night, fear and struggle but also with beauty and a sense of humor. His autobiography and the context where he grew up are of great meaning. About his childhood and youth he writes the following:
“As a child, open garage doors frightened me. My father, stern and aloof, frightened me as a child, a teen and even as a young adult. He never beat me but his idea of a joke was blowing pipe-smoke in my face.
We used to visit his father, a World War I veteran who sustained such massive nerve damage that, despite numerous operations, he had lost most of both his arms and legs. Throughout my childhood, he always seemed in a good mood. Only later did I realize he was probably on morphine.
We had no art books and went only once to the Los Angeles County Museum. But comic books and cartoons, especially Walt Disney, specifically Mickey Mouse, were huge influences. I wanted to be a cartoonist.
When I was about 6, I stayed with some cousins. From their house we could look into the house next door, which had a television. When we got a television a few years later, the whole family watched together: Howdy Doody, You Bet Your Life and, eventually, the Mickey Mouse Club.
But none of that left as much of mark on me as the years from seven to 10 when I had Perthes, a childhood hip disorder. I spent three months in the hospital, drawing much of the time, including a game of my own invention, the battles between x and dot men that became the War Drawings.
At around 16, my high school art teacher sent me to Saturday life drawing classes at Art Center School. They had a drawing formula. I lost the natural joy I had in drawing. It felt more like work. During the break I listened to Lorser Feitelson lecture on art history.
In 1966, I knew I was going to be drafted and chose instead to join the U.S. Marines. I did it mostly to please my father. After four years in college and art school, I had slightly bushy hair and didn’t look like his idea of a real man. I was in the Marines from 1966-69 and did a tour of duty in Vietnam.”
The core of Jones’s oeuvre finds its roots beginning of the seventies in Los Angeles, a time when this city wasn’t yet so glamorous. It was a place where artists such as Paul McCarthy, Barbara T. Smith, Allan Kaprow, John Baldessari and Chris Burden crossed each other and organized exhibitions, live actions and performances. The body and activism for civil rights, sexual liberation and an anti-war belief was a shared common at that time. Everyone knew Kim Jones as Mudman, his alterego. His naked body was covered with mud, his face hidden behind silk stockings and on his back he wore a large structure of wooden sticks, foam rubber, tire and mud. Wearing army boots, he walked through the streets of Los Angeles.
On January 28 in 1976 he walked from sunrise till sunset, a cycle of 12 hours from the east till the west of LA, a work known as ‘Wilshire Boulevard Walk’. This was his first real performance. The same year ‘Rat Piece’ took place at the Union Gallery on the campus of California State University, LA. In this controversy performance he set three rats on fire, joined the screams and once they were dead he covered the cage and left the room. Rats often reappear in his iconography. Those animals are often a tool for medical experiments, they were everywhere during his time in Vietnam and represent the underground and disease in Western society. It is cruel but so is war where thousands, millions of humans are being killed. His reaction was: “We all kill in some way. I was interested in how it feels, the implications of killing something.” The rat becomes a personal icon for him. In other cultures, especially the eastern one, animals get often another meaning and value. For Jones, rats are survivors.
Drawing had always been of great meaning for Jones. He draws surrealistic figures that are half human, half beast and often adds erotic elements. Eros and Thanatos seem to challenge each other more than once. He draws and paints on advertisements, photographs he makes or collects or on pictures people made of his performances. Besides this he realized an extraordinary selection of war drawings. These refer to a game he played as a child but is nevertheless an association to war. There are all dots and X’s on the move. He draws, erases and updates. Ghost images appear.
In May a solo show is planned at the Aldrich Museum of Contemporary Art in Ridgefield where his work has been exposed before.
Besides numerous performances and exhibitions in the seventies at Los Angeles Contemporary Exhibitions (Lace) and Los Angeles Institute of Contemporary Art (LAICA), Kim Jones was invited at PS1 Contemporary Art Center in New York in 1982, 1983 and 1984 to show his installations and performances. In 1985 he participated at the Biennial of Paris. One year later he was part of ‘Choices’ at the New Museum in New York. In 1987 he was invited for a performance at the Kunstverein Hamburg. In 1993 he was part of a traveling show ‘The Return of the Cadavre Exquis’ which started at the Drawing Center in New York. MoMA New York invited him in 1994 for the exhibition ‘Mapping’ and a year later they included his work in a drawing show about the collection. In 1995 his work is again on view at The New Museum in New York that keep on exposing his works in the following years, just as MoMA New York. Centre Pompidou in Paris included his work in a group show in 1997. In 1998-99 his work travels in a group show that attended the Museum of Contemporary Art in LA, Austrian Museum of Applied Arts in Vienna, Museum of Contemporary Art in Barcelona and the Museum of Contemporary Art in Tokyo. In 2004 Jones participated at the SITE Santa Fe Fifth International Biennial in Santa Fe, New Mexico. Two years later his work is on view at the Second International Biennial of Contemporary Art of Seville. The same year a retrospective traveled from UB Art Gallery at the State University of New York to the Luckman Gallery at the Luckman Fine Arts Complex at the California State University at LA and the Henry Art Gallery at the University of Washington. In 2007 he was invited for the Venice Biennial and in 2010 for the Sydney Biennial. In 2013 he travelled to Seoul for a group show at the National Museum of Contemporary Art where he realized an impressive wall war drawing. Many other group shows included his work.
His work can be found in the collection of Centre Pompidou in Paris, Hammer Museum in LA, Indianapolis Museum of Art, Los Angeles County Museum of Art, LA MOCA, MoMA in New York, Museum of Old and New Art in Tasmania, SFMOMA, Santa Barbara Museum, Metropolitan Museum in New York, Whitney Museum of American Art and The Morgan Library in New York.
Mircea SuciuFear Seems Strange2021oil, acrylic and varnish on linen100 x 70 cm
Mircea SuciuLove Eternal 2 (Inspired by Boilly, Still Life with Movie Projection series)2022oil, acrylic, monotype and varnish on wood42 x 30 cm
Mircea SuciuLove Eternal (During Wartime series)2022oil, acrylic, liquin, gasoline and varnish on linen50 x 50 cm
Mircea SuciuStill Life (Self-Portrait as a Dead Bird)2021oil on linen70 x 51 cm
Mircea SuciuLove Eternal (Inspried by Boilly, Still Life with Movie Projection series)2022oil, acrylic, monotype and varnish on wood42 x 30 cm
Mircea SuciuMoonlight2022oil and acrylic on wood40 x 32 cm
Jenny ScobelNail by the Door2006graphite and wax on gessoed wood106,5 x 61 cm
Jenny ScobelMark2006graphite, watercolour and wax on gessoed wood106,5 x 61 cm
Jenny ScobelWaterfall2006graphite, watercolour and wax on gessoed wood109 x 61 cm
Kim JonesUntitled1984 - 1990 - 2005 - 2006acrylic and ink on paper50,8 x 40,6 cm
Kim JonesMop2009wig, acrylic and ink42 x 36 x 2,5 cm
Kim JonesUntitled (war drawing)1990s - 2000 - 2010 - 2011pencil on paper63,2 x 96,4 cm
Kim JonesUntitled2003acrylic and ink on leather2 x (30,0 x 11,0 x 10,5 cm)
Kim JonesUntitled2005acrylic and ink on paper59,7 x 83,8 cm
Kim JonesUntitled2006acrylic and ink on paper40 x 55,3 cm
Martin MargielaBodypart b&w2018 - 2020oil pastel on projection screen123 x 222 x 8 cm
N. DashUntitled2022earth, acrylic, canvas, fabric, silkscreen ink, jute151,13 x 78,74 cm59,5 x 31 in
Pietro RoccasalvaStudy for Giocondità2022oil on canvas48 x 64 cm
Jenny ScobelAmanda (II)2011pencil, watercolour and wax on gessoed wood81,3 x 61 cm
Pélagie GbaguidiCare2020dry pastel and wool on paper21 x 29 cm
Pélagie GbaguidiCare2020dry pastel on paper29 x 21 cm
Mircea SuciuStudy for "Empathy for Destruction"2022oil, acrylic, liquin, charcoal and varnish on linen70 x 50 cm
Marina RheingantzSexy X2022oil on canvas130 x 110 cm
Jockum NordströmCat Dog Cat2016collage, watercolour and graphite on paper40 x 50 cm
Hyun-Sook Song9 Brushstrokes2017tempera on canvas130 x 70 cm
Jan De MaesschalckImpersonation (based on a photo by Johan Jacobs)2022oil on canvas65,2 x 55,2 cm
Yun-Fei JiThe Dead Are also Moving2007mineral pigments and ink on rice paper89,5 x 97 cm
Grace SchwindtGuard2022ceramic and bronze (edition of 3 + 1 AP)53 x 9 x 9 cm
Kees GoudzwaardOn Display2022oil on canvas70 x 60 cm
Susan HartnettOct. 11 2011 #2, Blue-joint grass (Calamagrostis canadensis)2011charcoal on paper56,5 x 76 cm
Jack WhittenSilver Centerfold2015acrylic on panel3 x (30,5 x 30,5 cm)
Philip Metten2203222022oil and thread on canvas23,1 x 23,2 cm
Paulo MonteiroUntitled2016oil on bronze (edition of 3 + 1 AP)56 x 2 x 4 cm
Paulo MonteiroUntitled2018oil on bronze (edition of 3)16,6 x 10,5 x 4,8 cm
Paulo MonteiroUntitled2016bronze (edition of 2 + 1 AP)18,5 x 62 x 22,5 cm
Naoto KawaharaNaked Girl2022oil on canvas72,8 x 53,4 cm
Bart StolleUntitled (Heat upon Heat)2022acrylic on canvas40 x 40 cm
Photo: Peter CoxCourtesy Zeno X Gallery, AntwerpInstallation view
Photo: Gregory CarideoCourtesy of the artist and Bridget Donahue Gallery, New YorkInstallation view
Kim JonesUntitled (War Drawing)2013graphite on canvas132,5 x 293,5 cm
Kim JonesWalking Rat2014rubber rat, wood, tape, cord, acrylic and ink68,6 x 48,3 x 30,5 cm
Kim JonesT-Shirt 32003 - 2014acrylic, ink, tape, wood, cord, cloth101,5 x 96,5 x 12,7 cm
Kim JonesT-Shirt 22003 - 2014acrylic, ink, tape, wood, cord, cloth101,5 x 96,5 x 12,7 cm
Kim JonesUntited (War Drawing)2008 - 2009graphite on paper63,5 x 96,5 cm
Kim JonesUntitled (War Drawing)2007 - 2008 - 2012 - 2013graphite on paper81 x 101,6 cm
Kim JonesIndigo Shirt2005acrylic, ink, fabric and wood84 x 115 x 5 cm
Kim JonesUntitled2015mixed media86 x 27 x 12,5 cm
Kim JonesUntitled2008 - 2014graphite on paper, acrylic and ink on book cover28,5 x 22,0 x 2,5 cm (closed) 28,5 x 45,0 x 1,5 cm (open)
Kim JonesMudman structure (small)1983sticks, mud, rope, foam rubber, cord, acrylic, ink and cardboard127 x 183 x 40,5 cm
Kim JonesExit Art1995 - 2007photograph, acrylic, ink45,6 x 30,5 cm
Kim JonesUntitled1976 - 1985 - 2006 - 2011acrylic and ink on paper76,2 x 55,9 cm
Kim JonesUntitled (War Drawing)2005 - 2006 - 2012graphite on paper63,5 x 96,5 cm
Kim JonesUntitled2012photograph45,7 x 27,9 cm
Kim JonesUntitled1986 - 2002acrylic and ink on photograph40 x 60,3 cm
Kim JonesUntitled1961 - 1962 - 2008 - 2009ink, acrylic, color pencil on paper52,2 x 67,7 cm
Photo: Peter CoxCourtesy Zeno X Gallery - AntwerpInstallation view
Dirk BraeckmanP.T.-B.R.-17 #22017gelatin silver print mounted on aluminium support120 x 80 cm (unique)
Kim JonesUntitled2008acrylic and ink on board50,8 x 76,2 cm
Kim JonesUntitled2008acrylic and ink on board50 x 76 cm
Mark MandersFalling Dictionaries2018offset print and acrylic on paper, chicken wire, aluminium
Marlene DumasThe Politics of Recognition / Onze Vaders1991ink on pape
Michaël BorremansThree Degrees2017pencil and ink on paper14,1 x 21,1 cm
Philip MettenC-1022017collage on paper53,5 x 49,5 cm
Philip MettenC-1012017collage on paper57,5 x 46 cm
Philip MettenC-1082017collage on paper54 x 50,6 cm
Philip MettenC-0572016collage on paper9,4 x 9,3 cm
Philip MettenC-1052017collage on paper20,9 x 20,4 cm
Patrick Van CaeckenberghDen Beggaard2018mixed media52 x 110 cm
Pietro RoccasalvaStudy for Il Traviatore2017acrylic on paper69,8 x 43,1 cm
Pietro RoccasalvaStudy for Il Traviatore2010acrylic on paper69,5 x 47 cm
Paulo MonteiroUntitled201322k gold and gouache on paper25,5 x 18,5 cm
Paulo MonteiroUntitled201622k gold and gouache on paper14 x 9 cm
Paulo MonteiroUntitled201722k gold and ecoline on pape
Paulo MonteiroUntitled2016gouache on paper31 x 27,5 cm
Hyun-Sook SongUntitled2013tempera on paper25,4 x 34,7 cm
Hyun-Sook SongUntitled2017tempera on paper26 x 32,2 cm
Hyun-Sook SongUntitled2015tempera on paper20,5 x 28,4 cm
Hyun-Sook SongUntitled2012tempera on paper34 x 23,7 cm
Jack WhittenLooking For Bin Laden #8 (Second Set)2008toner on rice paper61 x 82,6 cm
Jack WhittenSpace Flower #42006acrylic, pastel, powdered Mylar on rice paper20,3 x 19,1 cm
Jack WhittenSpace Flower #22006acrylic, pastel, powdered Mylar on rice paper21 x 19,1 cm
Luc TuymansUntitled2017graphite on pape
Jockum NordströmBjörnen sover (the Bear is sleeping)2017collage, watercolour and pencil on paper97 x 71 cm
Jockum NordströmSjukhusparken (Hospital park)2017collage, watercolour and graphite on paper72 x 104 cm
Jockum NordströmSent by Hand2008graphite on paper45 x 60 cm
Jockum NordströmStage Whisper2008graphite on paper42 x 30 cm
Photo: Peter CoxCourtesy Zeno X Gallery - Antwerp
Photo: Tom Powel ImagingCourtesy the artist and The Aldrich Museum of Contemporary ArtInstallation view
Kim JonesMarine Jacket2014acrylic, ink, tape, wood, cord, cloth96,5 x 96,5 x 18 cm
Kim JonesUntitled1980 - 2006ink, ballpoint pen on paper44,5 x 58,5 cm
Kim JonesUntitled1972 - 2006 - 2007ink, coloured ballpoint pen on paper57 x 72,3 cm
Kim JonesUntitled1972 - 2012ink, pencil and acrylic on paper51 x 66,4 cm
Kim JonesUntitled1974 - 1984 - 2000 - 2005 - 2013ink, pencil and acrylic on ppaer41 x 55 cm
Kim JonesUntitled2013ink and acrylic on paper36,5 x 38 cm
Kim JonesUntitled1971 - 1972 - 2013ink and acrylic on paper72,5 x 57 cm
Kim JonesUntitled1971 - 2013ink and acrylic on paper57,3 x 72,5 cm
Kim JonesUntitled1974 - 2014acrylic and ink on photograph40,6 x 61 cm
Kim JonesUntitled1974 - 2014acrylic and ink on photograph61 x 40,6 cm
Kim JonesCoat with War Drawing1972 - 2014cloth, wood, foam rubber, wire, acrylic, ink and staples109,2 x 61 x 20,3 cm
Kim JonesUntitled1972 - 2013 - 2014 -2015overcoat, foam rubber, gauze, aviary wire, twine, latex, acrylic, ink, wood, staples and nails187 x 91 x 10 cm
Kim JonesUntitled (War Drawing)2013graphite on canvas132,5 x 296,5 cm
Kim JonesUntitled2013plastic doll, nylon, wood, acrylic, ink and twine142 x 50 x 12 cm
Kim JonesUntitled2003 - 2014acrylic, ink, wood, string on fabric91,5 x 92 x 7 cm
Michaël BorremansNoses III2011pencil and watercolour on paper22,5 x 29,7 cm
Michaël BorremansNoses I + II2010pencil and watercolour on paper2 x (16,4 x 24,8 cm)
Bart StolleLandscape2013ink and acrylic on paper29,5 x 40,5 cm
Bart StolleMovements in space2013ink and acrylic on paper29,5 x 40,5 cm
Bart StolleCity2013ink and acrylic on paper29,5 x 40,5 cm
Bart StolleUntitled 13/22013ink on paper21 x 13,4 cm
Bart StolleHollorith 22013ink on paper21 x 13,4 cm
Bart StolleUntitled 12/22012ink and acrylic on paper21 x 13,4 cm
Bart StolleUntitled 12/052012pencil, ink and acrylic on paper21 x 13,5 cm
Bart StolleUntitled 11/22011pencil and acrylic on paper21 x 13,5 cm
Bart StolleAtoumat2008pencil, watercolour and acrylic on paper21 x 13,5 cm
Bart StolleKeep on Tryin'2008watercolour on paper20,9 x 13,5 cm
Bart StolleUntitled2008ink and pencil on paper21 x 13,5 cm
Bart StolleUntitled2008watercolour on paper21 x 13,5 cm
Patrick Van CaeckenberghOntwerp voor Torso (Design for Torso)1999collage, watercolour85,5 x 30 cm
Patrick Van CaeckenberghOntwerp voor Torso (Design for Torso)1999collage, watercolour72 x 20,5 cm
Patrick Van CaeckenberghOntwerp voor Torso (Design for Torso)1999collage, watercolour76 x 23,5 cm
Patrick Van CaeckenberghOntwerp voor Torso (Design for Torso)1999collage, watercolour68,5 x 19,5 cm
Kim JonesUntitled2013acrylic and ink on photograph30,4 x 20,3 cm
Kim JonesUntitled1974 - 1980s- 2010acrylic and ink on photograph45,7 x 30,5 cm
Kim JonesUntitled1980 - 2010acrylic and ink on photograph45,7 x 30,3 cm
Yun-Fei JiMarshal Peng Dehuai and His Hungry Ghosts2007mineral pigments and ink on rice paper81,5 x 173,5 cm
Mircea SuciuSelf Portrait2014charcoal on paper100 x 70 cm
Mircea SuciuStudy for the Iron Curtain2013charcoal on paper150 x 184 cm
Raoul De KeyserUntitled2002watercolour on Ingres paper64,5 x 47,8 cm
Mark MandersYellow Bathtub1997sand and glue on paper240 x 462 cm
Anne-Mie Van Kerckhoventch'eng (7 9 2012)2012mixed media77 x 50 cm
Anne-Mie Van Kerckhoven3 versus 5 (10 9 2012)2012mixed media77 x 50 cm
Anne-Mie Van KerckhovenKunstmanen (Artificial Moons)2008mixed media on paper27 x 36 cm
Anne-Mie Van KerckhovenToo Much Love Too Much2008mixed media on paper27 x 36 cm
Anne-Mie Van KerckhovenIn een Saturnische Wereld (In a Saturnian World)2009mixed technique on paper43,5 x 35,5 cm
Anne-Mie Van KerckhovenElan saturnienne (Saturnine Momentum)2008 - 2011mixed technique on paper43,5 x 35,5 cm
Anne-Mie Van KerckhovenObservations saturniennes (Saturnine Observations)2008 - 2011mixed technique on paper43,5 x 35,5 cm
Anne-Mie Van KerckhovenConfusion saturnienne (Saturnine Confusion)2011mixed technique on paper43,5 x 35,5 cm
Anne-Mie Van KerckhovenTortures saturniens (Saturnian Tortures)2011mixed technique on paper43,5 x 35,5 cm
Dirk BraeckmanR.E.-R.C.-082008ultrachrome inkjet print (edition of 5)30,7 x 23 cm
Dirk BraeckmanR.E.-R.D.-082008ultrachrome inkjet print (edition of 5)30,3 x 23 cm
R.E.-R.F.-082008ultrachrome inkjet print (edition of 5)30,3 x 23 cm
Kim JonesFurka1991 - 2006 - 200730,5 x 45,6 cm
Kim JonesWeather Control1975 - 2007acrylic and ink on photograph30,5 x 45,6 cm
Kim JonesMonkey1990 - 2007acrylic and ink on photograph45,6 x 30,5 cm
Kim JonesDancers1975 - 2007acrylic and ink on photograph45,6 x 30,5 cm
Kim JonesUntitled (Chicago)1981 - 2007acrylic and ink on photograph45,6 x 30,4 cm
Kim JonesApe Wars1980 - 2007acrylic and ink on photograph40,6 x 60,6 cm
Photo: Peter Cox
Kim JonesWar Drawing Jacket1982 - 2011jacket, wood, acrylic and ink73,5 x 66 x 15,5 cm
Kim JonesIreland/NY2003 - 2008 - 2009acrylic and ink on photograph40,5 x 60,8 cm
Kim JonesUntitled (war drawing)2010 - 2011pencil on paper63,5 x 96,2 cm
Kim JonesUntitled (doll with war drawing)2004 - 2010 - 2011cotton t-shirt, nylon, wood, plastic, acrylic and ink128 x 91,5 x 28 cm
Kim JonesUntitled (doll)2004 - 2010 - 2011pastic, wood, cord, acrylic and ink96 x 61 x 25,4 cm
Kim JonesAtlas1972 - 2011plastic, wood, cord, acrylic and ink73,5 x 63,5 x 33 cm
Kim JonesDoll - blue face2003 - 2011plastic, wood, cord, acrylic and ink119,5 x 51 x 25 cm
Kim JonesWar Drawing Shirt1982 - 2011shirt, wood, acrylic and ink73,5 x 66 x 11 cm
Kim JonesUntitled1974 - 2011acrylic and ink on photograph40,7 x 61 cm
Kim JonesUntitled1974 - 2008 - 2009acrylic and ink on photograph40,7 x 61 cm
Kim JonesUntitled1975 - 2010 - 2011acrylic and ink on photograph45,7 x 30,5 cm
Kim JonesUntitled1973 - 1974 - 2009acrylic and ink on photograph30,5 x 45,7 cm
Kim JonesUntitled2011acrylic and ink on photograph25,2 x 20,2 cm
John KörmelingBetter City, Better Life, Happy Street - Het Interieur is Buiten2006pencil on paper30,0 x 42,5 cm
John KörmelingHet Nederlands Paviljoen 2010, Happy Street2006pencil on paper30 x 52 cm
Patrick Van CaeckenberghOntwerp voor Fluitketel (Design for Singing Teakettle)1999collage58,5 x 35 cm
Patrick Van CaeckenberghZelfportret (Self-portrait)1999collage56 x 38 cm
Cristof YvoréLe tapis d'Edward1993oil on canvas33,5 x 31 cm
Raoul De KeyserUntitled1987oil on canvas48 x 30 cm
John KörmelingGlass Bridge, Ponte dell'Academia, Venice1985scale model: glass, plexi dome, marble and blue limestone21,5 x 65,0 x 21,0 cm
Marlene DumasGive the People What They Want1992oil on canvas40 x 30 cm
Luc TuymansDer Diagnostische Blick IV1992oil on paper57 x 38 cm
Yun-Fei JiThe Water Buffalo2006mineral pigment on rice paper33 x 32,8 cm
Anton CorbijnBjörk, Los Angeles1994gelatin silver print handprinted on oriental Seagull paper (edition of 20)68 x 69 cm
Dirk BraeckmanA.D.F.-B.E.-032003gelatin silver print mounted on aluminium support (edition of 3 + 1 AP)180 x 120 cm
Dirk BraeckmanHinge #12006ultrachrome inkjet print on Fuji photo rag paper mounted on aluminium support (edition of 5 + 1 AP)49 x 36 cm
Mark MandersFragment from Self-Portrait as a Building1986 - 1992painted bronze, mixed media (1 of 3)variable dimensions
Anne-Mie Van KerckhovenHomo Bulla1983 - 1984acrylic on plexi, mounted on steel plate100,3 x 201,5 cm
Patrick Van CaeckenberghSchildpad (Turtle)1990turtle shell, mixed media15 x 20 x 30 cm
Michaël BorremansThe Resemblance2006oil on canvas2 x (36 x 42 cm)
Michaël BorremansWeight200535mm, 9'44", continuous loop (edition of 3 + 1 AP)35,5 x 27,5 x 4 cm
Miriam CahnKrieg1998oil on canvas(90,5 x 56,8) + (105 x 60,5) cm
Raoul De KeyserDisaster2006charcoal, oil and gesso on canvas56 x 48 cm
Raoul De KeyserFlow2006oil on canvas36 x 30 cm
Jan De MaesschalckUntitled2002acrylic on paper27,3 x 36 cm
Jan De MaesschalckUntitled2003acrylic on paper27 x 35,7 cm
Stan DouglasRookery, Burnaby2001C-print (edition of 7)125 x 171 cm
Marlene DumasTina2006oil on canvas110 x 130 cm
Marc GoethalsUntitled1986oil on canvas18 x 24 cm
Kees GoudzwaardScreen2006oil on canvas120 x 80 cm
Mary HeilmannJohngiorno1995oil on canvas196 x 146 cm
Arturo HerreraUntitled (Dia Collage)1998mixed media on paper30,5 x 22,8 cm
Yun-Fei JiTwo Men with Bags2006mineral pigment on rice paper50,5 x 39,5 cm
Kim JonesUntitled (war drawing)2005 - 2006pencil on paper63,6 x 96,3 cm
Johannes Kahrsuntitled (origine du monde)1997charcoal and pastel on paper118 x 84 cm
Johannes KahrsMik's hand2005oil on canvas52 x 62 cm
John KörmelingMeeting point2005scale model, metal11 x 38 x 20 cm
Bernd LohausUntitled1984wooden crate with silver paper44,5 x 35 x 6 cm
Mark MandersFragment from Self-Portrait as a Building1993mixed media(12 x 90 x 15,5 cm) + (24,5 x Ø11,5 cm) + (12,5 x Ø10 cm)
Arno Nollendoped at anna's Barcelona2002colour photograph (edition of 5)45,5 x 30 cm
Arno NollenTrainingsjasje2004colour photograph (edition of 5)45 x 30 cm
Avery PreesmanUntitled2000wood, concrete95 x 70 x 45 cm
Gert Robijns26 x 26 alphabet1985mixed media32,5 x 110 x 130 cm
Jenny ScobelMackerel Sky2006graphite, watercolour and wax on gessoed wood107 x 61 cm
Maria SerebriakovaUntitled1989wood161 x 41 x 53 cm
Maria SerebriakovaUntitled1989wood160 x 70 x 31 cm
Maria SerebriakovaUntitled1989wood160 x 49 x 48 cm
Maria SerebriakovaUntitled1992book sculpture with house20 x 37 x 25 cm
Maria SerebriakovaLandscape2006oil on wood45 x 35 cm
Miroslav TichyUntitled (inv.nr.4-6-121)black and white photograph16,8 x 12,4 cm
Miroslav TichyUntitled (inv.nr.4-6-133)black and white photograph17,9 x 7,9 cm
Miroslav TichyUntitled (inv.nr.4-6-199)gelatin silver print27,2 x 19,6 cm
Luc TuymansImperméable2006oil on canvas224 x 94 cm
Anne-Mie Van KerckhovenRewritten, It Was Later to Become2005digital print, plexi and Forex41 x 75 cm
Anne-Mie Van KerckhovenChippendale (Angel in the House)2005digital print, plexi and Forex35 x 75 cm
Anne-Mie Van KerckhovenRewritten, It Was Later to Become2005Lambda print integrated in plexi lightbox41 x 75 x 14,5 cm
Cristof YvoréUntitled2006oil on canvas68,5 x 86 cm
Photo: Peter CoxCourtesy Zeno X Gallery, Antwerp25 years Zeno X Gallery - installation view
Kim JonesUntitled1979 - 1980graphite and ink on paper45 x 52 cm
Kim JonesUntitled1980graphite and ink on paper44,5 x 58,5 cm
Kim JonesUntitled1984-1986-1998-1999-2004black and white photograph, acrylic, ink35,3 x 27,7 cm
Kim JonesUntitled1984 - 2004black and white photograph, acrylic, ink35,3 x 27,7 cm
Kim JonesSled1973 - 1999 - 2004mixed media102 x 152,5 x 53,5 cm
Kim JonesRocket2004mixed media104 x 119,5 x 33 cm
Kim JonesMud Baby2004mixed media95 x 35 x 25 cm + 17 objects with variable dimensions
Kim JonesUntitled1984-2004-2005black and white photograph, acrylic, ink50,5 x 40,5 cm
Kim JonesUntitled1984-2004-2005black and white photograph, acrylic, ink35,3 x 27,7 cm
Kim JonesWar Book2000 - 2005pencil on paper (sketchbook)22,2 x 28,6 cm
Kim JonesRat Basketball2005mixed media⌀ 35 cm
Kim JonesUntitled war drawing (elevation)2003graphite on paper5 x (63,5 x 96,5 cm)
Kim JonesUntitled (War Drawing)1999 - 2000 - 2001 - 2002graphite on paper63,5 x 96,5 cm
Kim JonesUntitled (War Drawing)2001 - 2002graphite on paper63,5 x 96,5 cm
Kim JonesUntitled1973 - 1984 - 1998 - 1999acrylic, ink, felt-tip marker on paper56,5 x 71,5 cm
Kim JonesControlling the Weather1973 - 1983 - 1998acrylic, ink on paper56,5 x 71,5 cm
Kim JonesUntitled1972 - 1985 - 1999 - 2000acrylic, ink on paper56,5 x 71,5 cm
Centre Georges Pompidou, Paris, France Hammer Museum, Los Angeles, United States of America Indianapolis Museum of Art, Indianapolis, United States of America LACMA Los Angeles County Museum of Art, Los Angeles, United States of America Linda Pace Foundation, San Antonio, United States of America The Metropolitan Museum of Art, New York, United States of America Minneapolis Institute of Art, Minneapolis, United States of America MOCA The Museum of Contemporary Art, Los Angeles, United States of America MoMA Museum of Modern Art, New York, United States of America The Morgan Library & Museum, New York, United States of America Museum Boijmans Beuningen, Rotterdam, The Netherlands Museum of Contemporary Art San Diego, San Diego, United States of America Museum of Old and New Art, Tasmania, Australia SFMOMA San Francisco Museum of Modern Art, San Francisco, United States of America Santa Barbara Museum of Art, Santa Barbara, United States of America Smithsonian American Art Museum, Washington D.C., United States of America Whitney Museum of American Art, New York, United States of America
“4 Art Gallery Shows to See Right Now: Kim Jones’s gritty assemblage-sculptures” The New York Times, article by Martha Schwenderer (online) December 2020
“Rats on Main Street? Don’t Scream, They’re Art” The New York Times, article by Michelle Falkenstein (online) July 2016
“Kim Jones in Conversation with Susan Swenson” Pierogi, New York (USA), text by Kim Levin (p.38-44) August 2012
“Kim Jones; Picture Perfect” Fantom, photographic quarterly, issue 06, p.61-65 Winter 2011
“Year of the Rat – Kim Jones’s war-torn, fluently hybrid art is more germane than ever, as proved by his latest exhibition at Pierogi” The New York Times, article by Roberta Smith February 2008
“Things He Carried; Kim Jones” Art in America, no. 10, article by Stephen Maine (p.184-189) November 2007
“The summer of art – Kim Jones, walking wounded” ArtReview, no.11, article by Geoff Nicholson (p.85-91) May 2007
Zeno X BooksAntwerp, Belgium, 2016207 pages, ISBN 9789090296654
The MIT PressCambridge, United States, 2007160 pages, ISBN 9780262562249
PierogiNew York, United States, 200539 pages