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Bart StolleReconstructing the Original Formula (2)2012 - 2013acrylic on canvas59,4 x 67 cm
Bart StolleDrawing Pattern2021acrylic on canvas76 x 76,7 cm
Bart StolleTimelines with Black Ball2021acrylic on canvas24 x 30,4 cm
Bart StolleGuard2021acrylic on canvas50 x 20 cm
Bart StolleTwo Sea Creatures2021acrylic on canvas100 x 100 cm
Bart StolleUntitled (Reduction with Rag)2020acrylic on canvas32,2 x 26,1 cm
Bart StolleUntitled (Opus)2020acrylic on canvas102,2 x 75,5 cm
Bart StolleNo mystery, Only Symphony2020acrylic on canvas100 x 80,5 cm
Bart StolleThe Green Yonder2020acrylic on canvas20 x 30 cm
Bart StolleTheme Park2020mixed media25,6 x 25,5 x 3,4 cm
Bart StolleMourn and Celebrate2020acrylic on canvas54,6 x 36 cm
Bart StolleUntitled (colour check)2019acrylic and paper on canvas40 x 50 cm
Bart StolleUntitled (drops on white)2019acrylic on canvas50 x 60 cm
Bart StolleUntitled (Hudson)2019acrylic on canvas60 x 90 cm
Bart StolleBreakthrough2019wood, acrylic, canvas19,7 x 24,2 cm
Bart StolleAssimilate2018acrylic and strings on canvas39 x 76,4 cm
Bart StolleLFMS2018.152018pencil and ink on paper21 x 13,2 cm
Bart StolleLFMS2018.102018pencil and ink on paper21 x 13,2 cm
Bart StolleLFMS2017.102017pencil and ink on paper21 x 13,2 cm
Bart StolleNine Variations2018acrylic on canvas40 x 40 cm
Bart StolleThe Founder2017acrylic on canvas58 x 42 cm
Bart StolleSelf-organizing with Yellow2017acrylic on canvas96 x 122 cm
Bart StolleLFMS2017.092017pencil and ink on paper21 x 13,2 cm
Bart StolleLFMS2016_012016pencil and ink on paper21 x 13,2 cm
Bart StolleLFMS2016.042016pencil and ink on paper21 x 13,2 cm
Bart StolleTranslator2015acrylic on canvas120 x 180 cm
Bart StolleLFMS0711152015ink and pencil on paper21 x 13,2 cm
Bart StolleReality As It Is2015oil on canvas18 x 24 cm
Bart StolleDarwinian Symphony2014animation, 6'19", continuous loop (2 of 4 + 1 AP)6'19" (continuous loop)
Bart StolleSequence Device2014acrylic on wood40 x 63 cm
Bart StolleSequence of Cause and Effect2013acrylic on canvas153 x 122,5 cm
Bart StollePaper Is Murder2011acrylic on canvas28 x 42 cm
Bart StolleSheep (dedicated to Mark Insingel)2010acrylic on canvas83 x 107 cm
Bart StollePlatform Plus2010acrylic on canvas220 x 167 cm
Bart StolleHousestyle Study2010acrylic on canvas62 x 84 cm
Bart StolleElectronics Today2010acrylic and varnish on canvas50 x 60 cm
Bart StolleFixed media language valley2007 - 2009acrylic and varnish on canvas150 x 100 cm
Bart StolleHouse2009acrylic and varnish on canvas80 x 100 cm
Bart StolleVacation2009acrylic and varnish on canvas80 x 40 cm
Bart StolleCard Players2008acrylic on canvas100 x 120 cm
Bart StolleComposition with Toilet2008acrylic and varnish on canvas100 x 30 cm
Bart StolleSunset2008acrylic and varnish on canvas30 x 180 cm
Bart StolleSpartan Shower2007acrylic on canvas40 x 50 cm
Bart StolleUntitled 13/22013ink on paper21 x 13,4 cm
Bart StolleMoon2013ink and acrylic on paper13,4 x 21 cm
Bart StolleUntitled 12/22012ink and acrylic on paper21 x 13,4 cm
Bart StolleLFMS 2011 (DOG)2011animation on LCD screen, 1'10", continuous loop (edition of 4 + 1 AP)35,5 x 43 x 5,5 cm
MEDITATIONS FOR HOTEL ROOMS
Published by Oktober Publications, 2021
Presented at S.M.A.K., Ghent, Belgium August 22, 2021
LOW FIXED MEDIA SHOW
CONVENT space for contemporary art, Ghent, Belgium September 22 - November 19, 2017
Bart Stolle, b. 1974 in Eeklo (BE), lives and works in Ghent (BE).
Bart Stolle is developing a complex body of work that consists mainly of paintings, drawings and animated films. He accommodates his works under the name ‘Low Fixed Media Show’, which functions both as an advertising agency for his practice and as an alternative entertainment company. His works reveal a strong interest in computer language, science, space travel and artificial intelligence. And yet he does not use the latest technologies or media to create his works, preferring instead manual, more labour-intensive techniques. He carefully constructs his paintings according to certain rules that he imposes on himself: a black surface, for example, can never be painted directly on a blue background. Every action is like a precise move in a game of chess.
Certain colours recur frequently in his work, such as cobalt blue and cadmium orange. These were the first two colours to be produced on an industrial scale in the textile industry, and which can still be recognized today in the typical overalls. Stolle resolutely chooses an early modernist formal idiom to say as much as possible with as few resources as possible. Like the Suprematists, he hopes to suggest the invisible through elementary forms. Figures become stacks of squares and spheres, or a city becomes a busy map of geometric units. Stolle explores similarities between computer logic and the human mind. He firmly believes that the computer will never take over the role of the artist. An algorithm cannot replace human creativity.
In recent years, Bart Stolle has increasingly devoted himself to his drawing practice. On a daily basis, he develops works on paper in a purified formal idiom: repetitions and variations with dots, dashes and lines. In doing so, Stolle often refers to natural processes and evolutions as well as to self-organizing patterns and statistics. The drawings are executed so meticulously that they almost seem to have been printed mechanically. In both his paintings and drawings, the artist seeks out the tension between the digitally generated ‘appearance’ and the underlying manual labour.
Bart Stolle has had solo exhibitions at CONVENT Art Space (Ghent), Ryan Lee Gallery (New York), S.M.A.K. (Ghent), De Brakke Grond (Amsterdam) and STUK (Leuven).
His work has featured in group shows at M HKA (Antwerp), Prague Biennale, Kunsthal KAdE (Amersfoort), Laznia Centre for Contemporary Art (Gdansk), De Loketten (Brussels), Coup de Ville (Sint-Niklaas), De Warande (Turnhout), BUDA arts centre (Kortrijk), Telic Gallery (Los Angeles), Centre for Contemporary Art (Warsaw) and Museum of Contemporary Art (Shanghai).
Bart Stolle joined the gallery in 2008.
Zeno X Gallery presents the exhibition low fixed media show by Bart Stolle (b. 1974 in Eeklo). This fifth solo exhibition includes new paintings, drawings and a wall sculpture.
Bart Stolle is working on a complex body of work that consists mainly of paintings, drawings and animated films. His works reveal a strong interest in computer language, science, space travel and artificial intelligence. Yet he does not use the most modern technologies or media to create his works, preferring instead manual, more labor-intensive techniques. He constructs his paintings very carefully according to certain rules that he imposes on himself: a black surface, for example, can never be painted directly on a blue background. Every action is like a precise move in a game of chess.
Certain colors recur frequently in his work, such as cobalt blue and cadmium orange. These were the first two colors to be produced on an industrial scale in the textile industry – and that can still be recognized today in the typical overalls. Stolle resolutely chooses an early modernist formal idiom in order to say as much as possible with as few resources as possible. Like the Suprematists, he hopes to suggest the invisible through elementary forms. Figures become stacks of squares and spheres, or a city becomes a busy map of geometric units.
Bart Stolle explores similarities between computer logic and the human mind. In certain works, such as Guard, Who Paints a Horse These Days and Two Sea Creatures, Stolle imagines how a robot would look at human or animal organisms. Through this contemporary animism, he wants to evoke more involvement and commitment in a virtual, often distant world. Stolle strongly believes that the computer will never take over the role of the artist. An algorithm cannot replace human creativity.
The work Theme Park is a special collage of collected objects and items that refer to his painting practice; the pieces of tape are used to tape parts of a painting while the mixing stick represents his search for the ideal color. In the past, Stolle postponed fixing the elements because this would have put an end to the associative game that precedes it.
In recent years, Bart Stolle has increasingly devoted himself to his drawing practice. On a daily basis, he develops works on paper in a purified formal idiom: repetitions and variations with dots, dashes and lines. In doing so, Stolle often refers to natural processes and evolutions as well as to self-organizing patterns and statistics. The drawings are executed so meticulously that they almost seem to have been printed mechanically. In both his paintings and drawings, the artist seeks out the tension between the digitally generated ‘appearance’ and the underlying manual labor. Several of the new drawings are composed of RGB colors: from a distance, the colors seem to optically blend into black, while up close they are clear.
In parallel to the exhibition, Bart Stolle will present his book Meditations for Hotel Rooms. The publication includes 243 drawings and a letter from S.M.A.K. director Philippe Van Cauteren addressed to the artist. The project was inspired by Brian Eno’s record Music for Airports, in which Eno composed soothing music for airport terminals. Meditations For Hotel Rooms is published by Oktober Publications and was designed by Atelier Sven Beirnaert.
Bart Stolle has held solo exhibitions at Convent in Ghent, Josilda da Conceição in Amsterdam, Ryan Lee Gallery in New York, S.M.A.K. in Ghent, De Brakke Grond in Amsterdam and STUK in Leuven. He has also taken part in group exhibitions at M HKA in Antwerp, the Biennale of Contemporary Art in Prague, Kunsthal KAdE in Amersfoort, Laznia Centre for Contemporary Art in Gdansk, De Loketten van het Vlaamse Parlement in Brussels, De Warande in Turnhout, Coup de Ville in Sint-Niklaas, BUDA arts center in Kortrijk, Telic Gallery in Los Angeles, Centre for Contemporary Art in Warsaw and the Museum of Contemporary Art in Shanghai.
Zeno X Gallery is pleased to present the fourth solo exhibition of Bart Stolle (b. 1974, Eeklo).
Bart Stolle is working on a complex body of work that mainly consists of paintings, drawings and animated films. In an age where everyone is overwhelmed by sensory and more particularly by digital stimuli, Stolle has resolutely chosen to slow down. He draws his animated films frame per frame, for instance, and his paintings consist of carefully chosen and often geometric units. He analyses correspondences between the logic of the computer and the human mind. Many of his works refer formally to twentieth-century modernism, on the one hand, and to computer language, on the other.
For Bart Stolle, play, movement and the pleasure of colour and form are key in this exhibition. He analyses artefacts from human civilization and organisms from nature, and tries to find a balance between spontaneity and rationalization. In the past people believed that humankind could be completely analysed and explained by means of science, while today there is rather a tendency to humanize machines and robots. With the paintings Vertebrate and Animal, Stolle tries similarly to give a soul to mechanical-looking creations.
For this exhibition Bart Stolle has created three wall sculptures. These three-dimensional collages function a bit like travel reports. For years already Stolle has been collecting all sorts of objects that intrigue him, and this time, for the first time, he has given them a fixed and permanent place. In the past Stolle used to postpone fixing the elements because this would put an end to the associative game that preceded. This means that some of the objects were already visible in the installation that he created for M HKA in 2012. What the objects often have in common with one another is a certain lack of clarity as regards their origin – whether natural or man-made. Other sculptural elements refer to his practice as a painter. For instance, the toothpicks were used by Stolle to test the colour of his paint and the tape served to stick parts to his paintings.
Containers consists of a wooden board with painted caps from glass bottles. The work is reminiscent of a strategy game in which the pawns can be moved around.
In recent years Bart Stolle has increasingly applied himself to his drawing practice. On a daily basis he develops works on paper in a refined formal language: repetitions and variations with points, stripes and lines. Stolle hereby often refers to natural processes and evolutions, as in the triptych MOON that represents the moon. Like the works Another rocket, Re-entry and Air pressure, this triptych also bears witness to Stolle’s fascination for space travel in general and for the moon landing in particular.
The cobalt blue that is often to be seen in the works of Bart Stolle is in fact the first industrially manufactured pigment. For Stolle, the pigment’s artificial view can refer to the affected, mediated world we live in. These paintings are constructed out of codes and came into existence in an almost mathematical way.
Bart Stolle has had solo exhibitions at Convent in Ghent, Ryan Lee Gallery in New York, S.M.A.K. in Ghent, De Brakke Grond in Amsterdam, LOMAK in Tessenderlo and STUK in Leuven.
He has also taken part in group exhibitions at M HKA in Antwerp, the Prague Biennale of Contemporary Art, Kunsthal KAdE in Amersfoort, Laznia Centre for Contemporary Art in Gdansk, De Loketten in the Flemish Parliament in Brussels, De Warande in Turnhout, Coup de Ville in Sint-Niklaas, BUDA arts centre in Kortrijk, Telic Gallery in Los Angeles, the Centre for Contemporary Art in Warsaw and the Museum of Contemporary Art in Shanghai.
No competing with high-tech and rapid methods of reproduction.Ethics, ecology, concern.Pure imag(e) (ing).Prevention against the inflation of the imageINFORMATIONHuman rules and intuition versus parameters.
What is an image today?DATA = IMAGE = DATA
Multimedia is something prehistoric,an experience in which all senses are activated.
Imperial Images is a series of paintings that were made on the basis of rules.The images are constructed in an almost mathematical manner. Every action is like a move on a chessboard.
Works such as Ghost, in turn, are physical rather than mental and are diametrically opposed to the Imperial Images.
Device is an animation film, entirely made up of 256 (32 x 8) cobalt blue cubes, all of which are individually animated.Every cube has its own life, yet, throughout the overall picture, accidental connections and structures emerge.
Detoxification is a sculptural tribute to the computer pioneers of the 50s and 60s.These were often not included in the canon of art history because they worked with tools developed for the military.
The drawings are the result of a daily drawing practice. The titles refer to the date they were made. The drawings will be collected in the book MEDITATIONS, which is ultimately destined to land on the bedside tables of hotels.
Darwinian Symphony is an animated film that reflects on an indefinable 'deep time'.The creatures are composed of elementary geometric forms, but vary greatly depending on their nature, function, and therefore evolutionary purpose.The creatures also refer to the work The Garden of Earthly Delights by Hieronymus Bosch, which presents a wealth of obscure settings.
The soundscape that can be heard in the first room will be published on vinyl in a limited edition later this year.
Bart Stolle (° 1974, Eeklo) is working on a complex body of work that mainly consists of paintings, drawings and animated films. In an age in which everyone is becoming overwhelmed by sensory, and more specifically digital, stimuli, Stolle opts for lentor. His animated films are drawn frame by frame and his paintings consist of carefully selected and often geometrical units. He analyses similarities between the logic of the computer and the human mind. Many of his works formally refer both to twentieth century modernism as well as computer language.
Bart Stolle has previously had solo exhibitions at S.M.A.K. in Ghent, Ryan Lee Gallery in New York, De Brakke Grond in Amsterdam and STUK in Leuven. He has also participated in group exhibitions at Kunsthal KAdE in Amersfoort, M HKA in Antwerp, the Prague Biennale, BUDA Arts Centre in Kortrijk, MOCA Museum of Contemporary Art in Shanghai, the Academy of Fine Arts in Tiajin, De Loketten of the Flemish Parliament in Brussels, Telic Gallery in Los Angeles, Centre for Contemporary Art in Warsaw, Laznia Centre for Contemporary Art in Gdansk, and many others.
KEES GOUDZWAARD
The paintings by Kees Goudzwaard are bright, controlled and hide any emotional presence of its maker. Being a Dutch painter, Goudzwaard can’t deny the influence of Dutch Modernism. Especially De Stijl was inspiring for the development of his oeuvre. Each painting by Goudzwaard is based on a model. He combines colored paper, transparent acetates and tape just the way a collage would be organized. It’s a slow process of shifts and superpositions. Scale, color, form and composition challenge each other on a formal level. Goudzwaard acts according to his own logic. Finally he aims for a balance between all the components of the painting. In ‘Slow Rocking’ and ‘Collected’ we recognize the discipline and the almost mathematical structuring of the surface as we see in earlier work. This in contrast to the more playful, organic and open composition in ‘Grisaille’, ‘Study’ & ‘Assembling the Smaller Parts’. In those works the borders determine the tension within the painting.
Solo exhibitions by Kees Goudzwaard where installed at S.M.A.K. in Ghent, Culturgest in Lisbon, the Museum of Modern Art in Arnhem and at the Stedelijk Museum Schiedam. In 2003 he was invited to create a site-specific installation in Mexico City. His work was part of group exhibitions at Kröller-Müller Museum in Otterlo, Museum Kunst Palast in Düsseldorf, Roger Raveel Museum in Machelen-Zulte, Ecole des Beaux Art in Paris, Lokaal 01 in Breda, De Vleeshal in Middelburg and Castillo Corrales in Paris. Last year his work was included in the Biennial for Contemporary Art in Rennes.
BART STOLLE
Time and motion, that’s the start of the oeuvre of the young Belgian artist Bart Stolle (°1974). In the eighties he experienced as a teenager the introduction of commercial television and how images accumulate. Especially the personal computer and the internet change the gaze and the references. Since the invention of smart phones and tablets contemplation becomes even more difficult. Our society is saturated by speed, information and high-tec. Stolle investigates this phenomenon and choses to slow down. He focuses, mingles and (re)constructs. This leads to an oeuvre hold together under the flag ‘Low Fixed Media Show’, an advertising agency for himself or an alternative entertainment company. Despite all evolutions, Stolle is still convinced human beings dominate the machine. Creativity is a human thing that’s currently not mechanical. Stolle observes the world and translate it into humorous animations in which human figures are reduced to an arrangement of geometrical forms. Handicraft is high valued. He doesn’t want to pass on calculations to the computer. He prefers an intensive stop-motion practice over the input of parameters.
The same happens when Stolle paints, when he makes a static image. The result is a slow construction of essential units. Here we notice the influence of Modernism. Especially De Stijl, Suprematism with Malevich and the work by Kandinsky animate him. The personal alphabet of forms and colors Stolle creates is a means to express larger structures without illustrating them. He investigates the similarities between the logic of a computer and of a human and analyzes different society structures. Also his interest in communication systems, music, science, architecture and urbanization echoes through his oeuvre. He reconciles poles such as the virtual with reality, black with white, the organic with mechanics and so on. As much interesting for Stolle is the moment where the viewer attempts to put his images into words. Poetry, philosophy and fantasy emerge while translating.
Solo exhibitions by Bart Stolle were on view in S.M.A.K. in Ghent, De Brakke Grond in Amsterdam and STUK in Leuven. He was invited for group shows at MUHKA in Antwerp, De Loketten of the Flemish Parliament in Brussels, Coup de Ville in Sint-Niklaas, Buda Art center in Kortrijk, Centrum for Contemporary Art in Warsaw and the Museum of Contemporary Art in Shanghai.
JACK WHITTEN
Beginning of the seventies Jack Whitten (°1932) makes a decision that determines his complete oeuvre. He takes a distance of Abstract Expressionism, a movement that inspired him strongly during his years at Cooper Union in New York. He interchanges brush and figuration for instruments and abstraction. From that moment on a painting is no longer painted but constructed. Whitten investigates the characteristics of acrylic by boiling it, freezing it, laminating it, crushing it, casting it and spreading it all over. After collecting all his material and his tools, he starts building up the image as a collage. Since the eighties the sculptural and topographical quality of his paintings rises. His works on paper are always ahead of his paintings. He works with the concept of ‘working drawings’. The painting is not an illustration of an idea nor is the painting a reproduction of a drawing. The drawings operate as scouts always advancing ahead using process to search for new possibilities. Process as subject matter gives him a freedom to explore uncharted territory. In his work he reflects about philosophy, science, technology and use it as a mean to honor and commemorate people. Whitten’s abstract paintings aren’t cold, geometrical, anonymous and predictable. They are innovative, full of live, directed by controlled coincidences and strive for universality.
Work by Jack Whitten was part of important exhibitions such as the ‘Annual Exhibition of Contemporary American Painting’ (1969,1972) in the Whitney Museum of American Art in New York and ‘Afro-American Abstraction: An Exhibition of Contemporary painting and sculpture by Nineteen Black American Artists’ (1980) organized by the Institute for Art and Urban Resources and MoMA P.S.1 Center for Contemporary Arts in New York. In 1974 he got his first solo show at the Whitney Museum of American Art in New York. More recently MoMA P.S.1 Center of Contemporary Arts in New York and Atlanta Contemporary Art Center organized a solo exhibition. The Museum of Contemporary Art in San Diego is preparing a retrospective for 2014.
His work is in the collection of museums amongst which Museum for Modern Art (MoMA) in New York, Whitney Museum in New York, Studio Museum in Harlem, Metropolitan Museum in New York, Wadsworth Atheneum Museum of Art in Hartford, Museum for Contemporary Art Chicago, Dallas Museum of Art and Tate Modern in London.
Paulo MonteiroUntitled2018oil on canvas80,3 x 60,1 cm
Paulo MonteiroUntitled2022oil on linen20 x 16 cm
Paulo MonteiroUntitled2018oil on wood3,8 x 9 x 3,8 cm
Paulo MonteiroUntitled2018oil on wood2,4 x 9 x 2 cm
Paulo MonteiroUntitled2022oil on bronze (edition of 2)25 x 4 x 7 cm
Paulo MonteiroUntitled2022oil on linen60 x 45,5 cm
Paulo MonteiroUntitled2018oil on wood1,2 x 5,7 x 2 cm
Paulo MonteiroUntitled2022oil on bronze (edition of 2)25 x 3 x 4 cm
Paulo MonteiroUntitled2022oil on linen55 x 50 cm
Paulo MonteiroUntitled2022oil on linen23 x 19 cm
Paulo MonteiroUntitled2017oil on bronze
Jan De MaesschalckUntitled (The Staged-Fall)2012acrylic on paper40 x 27 cm
Jan De MaesschalckFilm2015acrylic on paper39 x 54,8 cm
Jan De MaesschalckUntitled (Heatwave)2018acrylic on paper73 x 58,3 cm
Jan De MaesschalckUntitled2009acrylic on paper27,5 x 36,5 cm
Jan De MaesschalckUntitled2011acrylic on paper27,5 x 36,5 cm
Bart StolleOrgan2020acrylic on canvas47,8 x 39 cm
Bart StolleLFMS2017.062017pencil and ink on paper21 x 13,2 cm
Bart StolleThe Measure and the Measured2015acrylic on canvas, cotton string120 x 120 cm
Hyun-Sook SongUntitled2015tempera on paper35 x 26 cm
Hyun-Sook SongUntitled2015tempera on paper26 x 34,5 cm
Hyun-Sook SongUntitled2018tempera on paper35 x 45 cm
Martin MargielaBodypart b&w2018 - 2020oil pastel on projection screen123 x 222 x 8 cm
N. DashUntitled2022earth, acrylic, canvas, fabric, silkscreen ink, jute151,13 x 78,74 cm59,5 x 31 in
Pietro RoccasalvaStudy for Giocondità2022oil on canvas48 x 64 cm
Kim JonesUntitled2001 - 2007acrylic and ink on photograph45,7 x 30,5 cm
Jenny ScobelAmanda (II)2011pencil, watercolour and wax on gessoed wood81,3 x 61 cm
Pélagie GbaguidiCare2020dry pastel and wool on paper21 x 29 cm
Pélagie GbaguidiCare2020dry pastel on paper29 x 21 cm
Mircea SuciuStudy for "Empathy for Destruction"2022oil, acrylic, liquin, charcoal and varnish on linen70 x 50 cm
Marina RheingantzSexy X2022oil on canvas130 x 110 cm
Jockum NordströmCat Dog Cat2016collage, watercolour and graphite on paper40 x 50 cm
Hyun-Sook Song9 Brushstrokes2017tempera on canvas130 x 70 cm
Jan De MaesschalckImpersonation (based on a photo by Johan Jacobs)2022oil on canvas65,2 x 55,2 cm
Yun-Fei JiThe Dead Are also Moving2007mineral pigments and ink on rice paper89,5 x 97 cm
Grace SchwindtGuard2022ceramic and bronze (edition of 3 + 1 AP)53 x 9 x 9 cm
Kees GoudzwaardOn Display2022oil on canvas70 x 60 cm
Susan HartnettOct. 11 2011 #2, Blue-joint grass (Calamagrostis canadensis)2011charcoal on paper56,5 x 76 cm
Jack WhittenSilver Centerfold2015acrylic on panel3 x (30,5 x 30,5 cm)
Philip Metten2203222022oil and thread on canvas23,1 x 23,2 cm
Paulo MonteiroUntitled2016oil on bronze (edition of 3 + 1 AP)56 x 2 x 4 cm
Paulo MonteiroUntitled2018oil on bronze (edition of 3)16,6 x 10,5 x 4,8 cm
Paulo MonteiroUntitled2016bronze (edition of 2 + 1 AP)18,5 x 62 x 22,5 cm
Naoto KawaharaNaked Girl2022oil on canvas72,8 x 53,4 cm
Bart StolleUntitled (Heat upon Heat)2022acrylic on canvas40 x 40 cm
Photo: Peter CoxCourtesy Zeno X Gallery, AntwerpInstallation view
Bart StolleHacktivate the City2020acrylic on canvas63,8 x 40 cm
Bart StolleMourn and Celebrate II2020acrylic on canvas54,8 x 35,9 cm
Bart StolleUntitled (Cloud)2021acrylic on canvas120,5 x 160 cm
Bart StolleTransit2021acrylic on canvas50 x 50 cm
Bart StolleWho Paints a Horse These Days2021acrylic on canvas94 x 94 cm
Bart StolleThe Gloaming2020acrylic on canvas74 x 64 cm
Bart StolleEcology is the Science of Consequences2020acrylic on canvas180 x 177,5 cm
Bart StolleLFMS2017.052017pencil and ink on paper21 x 13,2 cm
Bart StolleLFMS2016.022016pencil and ink on paper21 x 13,2 cm
Bart StolleLFMS2016.032016pencil and ink on paper21 x 13,2 cm
Bart StolleLFMS2018.092018pencil and ink on paper21 x 13,2 cm
Bart StolleLFMS2017.072017pencil and ink on paper21 x 13,2 cm
Bart StolleLFMS2016.052016pencil and ink on paper21 x 13,2 cm
Bart StolleLFMS2016.062016pencil and ink on paper21 x 13,2 cm
Bart StolleLFMS2016.072016pencil and ink on paper21 x 13,2 cm
Bart StolleLFMS2017.082017pencil and ink on paper21 x 13,2 cm
Bart StolleLFMS2018.112018pencil and ink on paper21 x 13,2 cm
Bart StolleLFMS2018.122018pencil and ink on paper21 x 13,2 cm
Bart StolleLFMS2016.082016pencil and ink on paper21 x 13,2 cm
Bart StolleLFMS2016.092016pencil and ink on paper21 x 13,2 cm
Bart StolleLFMS2018.132018pencil and ink on paper21 x 13,2 cm
Bart StolleLFMS2018.142018pencil and ink on paper21 x 13,2 cm
Bart StolleLFMS2016.102016pencil and ink on paper21 x 13,2 cm
Bart StolleLFMS2017.112017pencil and ink on paper21 x 13,2 cm
Photo: Peter CoxCourtesy Zeno X Gallery - Antwerp
Photo: Dirk PauwelsCourtesy the artist and S.M.A.K., GhentInstallation view Anne-Mie Van Kerckhoven
Photo: Dirk PauwelsCourtesy the artist and S.M.A.K., GhentInstallation view Bart Stolle
Photo: Dirk PauwelsCourtesy the artist and S.M.A.K., GhentInstallation view N. Dash
Bart StolleAnimal2018acrylic on canvas98 x 133 cm
Bart StolleTwo Variations of One Colony2017acrylic on canvas50,7 x 193,5 cm
Bart StolleAgricultural Revolution2018acrylic on canvas73 x 124 cm
Bart StollePlay2018acrylic on canvas58,7 x 71,5 cm
Bart StolleNight Time2018acrylic on canvas47 x 40,3 cm
Bart StolleLIFT-OFF2018acrylic on canvas91,6 x 48 cm
Bart StolleVertebrate2018acrylic on canvas50 x 70 cm
Bart StolleTransformation2018acrylic on wood60,2 x 122,2 cm
Bart StolleMOON20173 x (20,7 x 28 cm)
Bart StolleDeep Time2009 - 2017acrylic and ink on canvas75 x 125 cm
Bart StolleMechanical Flower2018mixed media on paper20,5 x 25 cm
Bart StolleAnother Rocket2017acrylic on canvas51,5 x 36 cm
Bart StolleRe-entry2017acrylic on canvas43 x 35 cm
Bart StolleAir Pressure2018acrylic on canvas47 x 37 cm
Bart StolleI travel #12018acrylic and mixed media on wood30 x 50 x 10 cm
Bart StolleI travel #32018acrylic and mixed media on wood33 x 30,2 x 5,3 cm
Bart StolleI travel #22018acrylic and mixed media on wood10,2 x 40 x 7 cm
Bart StolleContainers2018installation, mixed media
Photo: Peter CoxCourtesy Zeno X Gallery - AntwerpInstallation view
Anton CorbijnJohnny Halliday, London1994inkjet print on Hahnemühle 285 grs. fine art pearl photo paper, mounted on dibond (edition of 5 + 2 AP)
Anton CorbijnKurt Cobain, Seattle1993inkjet print on Hahnemühle 285 grs. fine art pearl photo paper mounted on dibond (edition of 5 + 2 AP)
John KörmelingDrollie's Kamer (Drollie's Room)2015pencil on coloured paper21 x 29,7 cm
John KörmelingDe Wereld in Rechte Lijnen2016pencil on paper21 x 30 cm
John KörmelingDe Kloppende Kalender2017pencil on paper29 x 41,5 cm
Raoul De KeyserUntitled1999watercolour on paper16 x 11 cm
Anne-Mie Van KerckhovenModerne Anesthesie (Modern Anesthesia)2017pencil, coloured pencil, oil pastel, soft pastel and ink on paper30,5 x 40,5 cm
Anne-Mie Van KerckhovenIl l'avait connu à port Said (He Had Known Him in Port Said)2017pencil, coloured pencil, oil pastel, soft pastel and ink on paper30,5 x 40,5 cm
Anne-Mie Van KerckhovenUne italienne nommée Carmen (An Italian Woman Named Carmen)2015-2017pencil, coloured pencil, oil pastel, soft pastel and ink on paper30,5 x 40,5 cm
Anne-Mie Van KerckhovenI Tried to Drown My Sorrows2017pencil, coloured pencil, oil pastel, soft pastel and ink on paper32 x 24 cm
Anne-Mie Van KerckhovenSome Style Is Legendary2017pencil, coloured pencil, oil pastel, soft pastel and ink on paper30,5 x 22,8 cm
Mircea SuciuStudy for Noumena (2)2015oil, acrylic and silkscreen on paper65,5 x 45,5 cm
Mircea SuciuStudy for Noumena (4)2015oil, acrylic and silkscreen on paper65,5 x 45,5 cm
Mircea SuciuStudy for Noumena (3)2015oil, acrylic and silkscreen on paper65,5 x 45,5 cm
Mircea SuciuStudy for Noumena (1)2015oil, acrylic and silkscreen on paper65,5 x 45,5 cm
Johannes KahrsUntitled (nude with shadow)2017charcoal and pastel on paper143,5 x 109,2 cm
Yun-Fei JiParty Secretary's Dream2015ink and watercolour on Xuan paper mounted on silk38,6 x 104,4 cm
Yun-Fei JiThe Meeting2015ink and watercolour on Xuan paper mounted on silk80,4 x 62,8 cm
Cristof YvoréUntitled2008collage, pencil and graphite on digital print27 x 39 cm
Cristof YvoréUntitled2013ballpoint pen and soft pastel on paper21,9 x 29,7 cm
Cristof YvoréUntitled2011gouache on paper14 x 11,5 cm
Jan De MaesschalckDeparture at the crack of day2016acrylic on paper68,5 x 52 cm
Jan De MaesschalckDomesticated #82015acrylic on newspaper30 x 44,4 cm
Jan De MaesschalckDomesticated #212015acrylic on newspaper30 x 22,2 cm
Anton CorbijnNick Cave (piano), London1997inkjet print on Hahnemühle 285 grs. fine art pearl photo paper, mounted on dibond (edition of 5 + 2 AP)125 x 125 cm
Bart StolleLFMS0502152015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS1508152015ink and pencil on paper13,2 x 21 cm
Bart StolleLFMS0608152015ink and pencil on paper13,2 x 21 cm
Bart StolleUntitledDBS2015_091pencil and ink on pape
Grace SchwindtThree Steel Sculptures and Salt in Corridor from Above2015pencil, acrylic on paper42 x 27,5 cm
Grace SchwindtDancer in Colour Dress2016pencil, acrylic on paper42 x 29,7 cm
Grace SchwindtFamily House2014pencil, acrylic on paper40,5 x 29,3 cm
Grace SchwindtDancer Pausing on Shape2016pencil, acrylic on paper29,7 x 42 cm
Grace SchwindtBlade2014pencil, acrylic on paper34,9 x 27,7 cm
Grace SchwindtRed Rectangle2014pencil, acrylic on paper34,2 x 27,7 cm
Grace SchwindtFigure for a Dance2015pencil, acrylic on paper42 x 29,7 cm
Photo: Pauline ScharmannCourtesy the artist and CONVENT, GhentInstallation view
Jan De MaesschalckUntitled2009oil on wood74,6 x 59 cm
Jan De MaesschalckSave Them that Bear Witness to the Love for Him2015acrylic on paper58,5 x 42 cm
Bart StolleFake Preparatory Study2013acrylic on canvas60 x 90,3 cm
Bart StolleEnviron CTR2015acrylic and wood on panel122 x 60 cm
Johannes KahrsFigure in a green room2015oil on canvas92,5 x 115,5 cm
Jan De MaesschalckLa Canicule2016acrylic on paper40,8 x 55 cm
Bart StolleUntitled2016acrylic on canvas60 x 90 cm
Johannes KahrsUntitled (portrait of a man with red hair)2016oil on canvas90,5 x 95,2 cm
Grace SchwindtLast Round of Magic2017wood, charcoal and porcelain29,3 x 64,7 x 11 cm
Bart StolleImperial Image #62016acrylic on canvas34,2 x 135 cm
Grace SchwindtTurn2017steel, wax, cheesecloth, screenprint ink155 x 65 x 61 cm
Jan De MaesschalckUntitled2016oil on wood36,8 x 40 cm
Jan De MaesschalckUntitled (the drift)2017acrylic on paper72,8 x 90,8 cm
Grace SchwindtFalcon Hoods2017porcelain, copper glaze, painted wood, wax124 x 120 x 50 cm
Bart StolleImperial Image #52015acrylic on canvas63,5 x 93 cm
Bart StolleDetoxification + Rocket Trail2015sculpture and acrylic on canvas(132 x 37 x 37 cm) + (28 x 24 cm)
Bart StolleImperial Image #12015acrylic on canvas63,5 x 93 cm
Bart StolleImperial Image #42015acrylic on canvas78,5 x 67,5 cm
Bart StolleImperial Image #32015acrylic on canvas63,5 x 93 cm
Bart StolleDevice2015animation (edition of 4 + 1 AP)4'48" (continuous loop)
Bart StolleGhost2015acrylic on canvas300,5 x 179,5 cm
Bart StolleUntitled2015acrylic, oil, pencil and modelling paste on canvas100 x 104,5 cm
Bart StolleModules2015acrylic on canvas31 x 43 cm
Bart StolleVariations2015acrylic on canvas53,5 x 52,5 cm
Bart StolleUntitled2015acrylic on canvas189 x 137,5 cm
Bart StolleLFMS0702152015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS150715 (parallellogram #2)2015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS1707152015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS1810152015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS2910152015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS021115 (b)2015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS0311152015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS0511152015ink and pencil on paper21 x 13,2 cm
Bart StolleDarwinian Symphony2014animation, 6'19", continuous loop (1 of 4 + 1 AP)
Bart StolleLFMS2801152015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS0802152015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS190515 (how successful can I change my mind)2015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS2906152015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS2606152015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS2607152015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS2807152015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS1208152015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS0709152015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS1509152015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS0410152015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS0810152015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS1210152015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS1310152015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS1510152015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS1610152015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS1710152015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS1910152015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS2210152015ink and pencil on pape
Bart StolleLFMS241015 (a)2015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS241015 (b)2015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS241015 (c)2015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS251015 (a)2015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS251015 (b)2015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS261015 (a)2015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS261015 (b)2015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS261015 (c)2015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS2710152015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS2810152015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS301015 (a)2015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS301015 (b)2015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS301015 (c)2015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS311015 (a)2015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS311015 (b)2015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS311015 (c)2015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS011115 (a)2015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS011115 (b)2015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS021115 (a)2015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS021115 (c)2015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS041115 (a)2015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS041115 (b)2015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS041115 (c)2015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS041115 (d)2015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS081115 (a)2015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS081115 (b)2015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS0911152015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS1011152015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS1111152015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS121115 (a)2015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS121115 (b)2015ink and pencil on paper21 x 13,2 cm
Bart StolleLFMS1311152015ink and pencil on paper21 x 13,2 cm
Photo: Peter Cox
Kim JonesUntitled2010 - 2011acrylic and ink on photograph25,2 x 20,2 cm
Michaël BorremansNoses III2011pencil and watercolour on paper22,5 x 29,7 cm
Michaël BorremansNoses I + II2010pencil and watercolour on paper2 x (16,4 x 24,8 cm)
Bart StolleLandscape2013ink and acrylic on paper29,5 x 40,5 cm
Bart StolleMovements in space2013ink and acrylic on paper29,5 x 40,5 cm
Bart StolleCity2013ink and acrylic on paper29,5 x 40,5 cm
Bart StolleHollorith 22013ink on paper21 x 13,4 cm
Bart StolleUntitled 12/052012pencil, ink and acrylic on paper21 x 13,5 cm
Bart StolleUntitled 11/22011pencil and acrylic on paper21 x 13,5 cm
Bart StolleAtoumat2008pencil, watercolour and acrylic on paper21 x 13,5 cm
Bart StolleKeep on Tryin'2008watercolour on paper20,9 x 13,5 cm
Bart StolleUntitled2008ink and pencil on paper21 x 13,5 cm
Bart StolleUntitled2008watercolour on paper21 x 13,5 cm
Patrick Van CaeckenberghOntwerp voor Torso (Design for Torso)1999collage, watercolour85,5 x 30 cm
Patrick Van CaeckenberghOntwerp voor Torso (Design for Torso)1999collage, watercolour72 x 20,5 cm
Patrick Van CaeckenberghOntwerp voor Torso (Design for Torso)1999collage, watercolour76 x 23,5 cm
Patrick Van CaeckenberghOntwerp voor Torso (Design for Torso)1999collage, watercolour68,5 x 19,5 cm
Kim JonesUntitled2013acrylic and ink on photograph30,4 x 20,3 cm
Kim JonesUntitled1974 - 1980s- 2010acrylic and ink on photograph45,7 x 30,5 cm
Kim JonesUntitled1980 - 2010acrylic and ink on photograph45,7 x 30,3 cm
Kim JonesUntitled1999 - 2009acrylic and ink on photograph45,7 x 30,4 cm
Yun-Fei JiMarshal Peng Dehuai and His Hungry Ghosts2007mineral pigments and ink on rice paper81,5 x 173,5 cm
Mircea SuciuSelf Portrait2014charcoal on paper100 x 70 cm
Mircea SuciuStudy for the Iron Curtain2013charcoal on paper150 x 184 cm
Raoul De KeyserUntitled2002watercolour on Ingres paper64,5 x 47,8 cm
Mark MandersYellow Bathtub1997sand and glue on paper240 x 462 cm
Anne-Mie Van Kerckhoventch'eng (7 9 2012)2012mixed media77 x 50 cm
Anne-Mie Van Kerckhoven3 versus 5 (10 9 2012)2012mixed media77 x 50 cm
Device #12012acrylic on wood40 x 37 cm
Bart StolleLFMS 2007 (VERY SICK CHILD)2007animation on LCD screen, 1'27", continuous loop (edition of 4 + 1 AP)35,5 x 43 x 5,5 cm
Bart StolleUntitled (z)2011acrylic on canvas160 x 200 cm
Bart StolleLFMS 2009 (SCREEN)2008 - 2009animation on LCD screen, 51", continuous loop (edition of 4 + 1 AP)35,5 x 43 x 5,5 cm
Bart StolleOi_l Stain2010acrylic on canvas
Bart StolleTilt Shift Maze2011 - 2012acrylic on canvas60 x 109 cm
Bart StolleExplosion at the Supermarket2010 - 2012acrylic on canvas120 x 160 cm
Bart StolleReconstructing the Original Formula2011 - 2012acrylic on canvas63 x 78 cm
Bart StolleDebris2011 - 2012acrylic and wood on MDF51,5 x 61 x 5 cm
Bart StolleLFMS 2011 (BOY#1)2011animation on LCD screen, 1'4", continuous loop (edition of 4 + 1 AP)35,5 x 43 x 5,5 cm
Bart StolleLFMS 2011 (DUCTUS#01)2011animation on LCD screen, 1'48", continuous loop (edition of 4 + 1 AP)35,5 x 43 x 5,5 cm
Bart StolleLFMS 2010 (CUBE)2010animation on LCD screen, 54", continuous loop (edition of 4 + 1 AP)35,5 x 59,5 x 5,5 cm
Bart StolleSpasmodic variegated savage2008acrylic and varnish on canvas50 x 60 cm
Bart StolleReception2008acrylic and varnish on canvas60 x 70 cm
Bart StolleCruise and Kidman2008acrylic and varnish on canvas90 x 120 cm
Bart StolleLittle Giants2009acrylic and varnish on canvas140 x 180 cm
Bart StolleTree2003animation on LCD screen, continuous loop (edition of 4 + 1 AP)
AXA Art Collection, Brussels, Belgium FOD Buitenlandse Zaken, Buitenlandse Handel en Ontwikkelingssamenwerking, Brussels, Belgium M HKA Museum of Contemporary Art, Antwerp, Belgium Provincie Oost-Vlaanderen, Ghent, Belgium S.M.A.K. Municipal Museum of Contemporary Art, Ghent, Belgium
“Low Fixed Media Show: A Conversation with Artist Bart Stolle” Delphi, no. 1, article by Laurens Naudts (p.61) April 2019
“The M HKA Collection – The Collection as a character; Bart Stolle” M HKA Antwerp (BE), text by Bart De Baere (p.255) September 2013
“Bart Stolle; Visuele valstrikken – I make technology look ridiculous (Nam June Paik)” Text by Eva Wittocx 2009
“Digitale kunst in België – Terugkeren naar een ongefilterde realiteit – Het geanimeerde animatie van Bart Stolle” KunstencentrumBuda, text by Thibaut Verhoeven December 2007
Oktober PublicationsAntwerp, Belgium, 2021359 pages, ISBN 9789082681963
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