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Luc TuymansDolls I2022oil on canvas102,5 x 66,5 cm
Luc TuymansDolls II2022oil on canvas102,5 x 67,5 cm
Luc TuymansDolls III2022oil on canvas103 x 82,5 cm
Luc TuymansWin2021oil on canvas102 x 63,3 cm
Luc TuymansMonkeys2020acrylic ink on polyester tracing pape
Luc TuymansRadio2020acrylic ink on polyester tracing paper29,7 x 21 cm
Luc TuymansMountains II2020acrylic ink on polyester tracing paper21 x 29,7 cm
Luc TuymansFacial Reconstruction2020charcoal and watercolour on paper32 x 29 cm
Luc TuymansPorcelain2020gouache on paper52 x 39 cm
Luc TuymansHappy Birthday2020acrylic ink on polyester tracing paper and animated video: 14", continuous loop, colour, silent9 x (29,7 x 21 cm)
Luc TuymansNumbers (Nine)2020oil on canvas277,4 x 323,3 cm
Luc TuymansNumbers (Seven)2020oil on canvas280,4 x 319,7 cm
Luc TuymansNumbers (Three)2020oil on canvas280,2 x 325 cm
Luc TuymansNumbers (One)2020oil on canvas277,2 x 310 cm
Luc TuymansThe Stage2020oil on canvas250,4 x 268,2 cm
Luc TuymansIntermission2020oil on canvas254,1 x 243,6 cm
Luc TuymansClouds2020oil on canvas279,5 x 203,6 cm
Luc TuymansPenitence2018oil on canvas195,5 x 141,2 cm
Luc TuymansMother of Pearl2018oil on canvas204,6 x 159,7 cm
Luc TuymansNiger2017oil on canvas180,7 x 236 cm
Luc TuymansTwenty-Seventeen2017oil on canvas94,7 x 62,7 cm
Luc TuymansSeagull2018oil on canvas169,5 x 157,4 cm
Luc TuymansThe Return2018oil on canvas228,1 x 166 cm
Luc TuymansPresence2017oil on canvas248,7 x 182,6 cm
Luc TuymansMountains2016oil on canvas283 x 187,5 cm
Luc TuymansGreen Light2016oil on canvas201,5 x 114,3 cm
Luc TuymansInsert IV2016oil on canvas33,5 x 30,8 cm
Luc TuymansInsert II2016oil on canvas43,3 x 29,8 cm
Luc TuymansInsert I2016oil on canvas44,3 x 30,1 cm
Luc TuymansBrokaat2016oil on canvas201,3 x 154 cm
Luc TuymansThe Priest2016oil on canvas66,4 x 88,6 cm
Luc TuymansInsert III2016oil on canvas41,8 x 29 cm
Luc TuymansThe Louvre2016oil on canvas100 x 148,7 cm
Luc TuymansScramble2016oil on canvas208 x 155 cm
Luc TuymansContainers2013oil on canvas144 x 131 cm
Luc TuymansDad's Heat2013oil on canvas162,3 x 114,4 cm
Luc TuymansGood Advice2013oil on canvas109 x 79 cm
Luc TuymansIn the Kitchen2013oil on canvas232,4 x 161,3 cm
Luc TuymansCook2013oil on canvas229,5 x 169,3 cm
Luc TuymansIn the End You're Just Dad2010oil on canvas49 x 67,8 cm
Luc TuymansInterior Nr. III2010oil on canvas235,1 x 233,4 cm
Luc TuymansMeasurement2008oil on canvas172 x 189 cm
Luc TuymansThe Valley2007oil on canvas106,5 x 109,5 cm
Luc TuymansThe Book2007oil on canvas306 x 212 cm
Luc TuymansThe Secretary of State2005oil on canvas45,5 x 61,5 cm
Luc TuymansThe Worshipper2004oil on canvas193 x 147,5 cm
Luc TuymansPlant2003oil on canvas167,5 x 95,5 cm
Luc TuymansStill-life2002oil on canvas347 x 500 cm
Luc TuymansSlide #22002oil on canvas179 x 134 cm
Luc TuymansBend Over2001oil on canvas60 x 60 cm
Luc TuymansLeopard2000oil on canvas142 x 129 cm
Luc TuymansLumumba2000oil on canvas62 x 46 cm
Luc TuymansMaypole2000oil on canvas234 x 116 cm
Luc TuymansRöntgen2000oil on canvas111 x 81 cm
Luc TuymansDer Architekt1997oil on canvas113 x 144,5 cm
Luc TuymansIllegitimate III1997oil on canvas161,5 x 137,5 cm
Luc TuymansIllegitimate IX1997oil on canvas70 x 50 cm
Luc TuymansIllegitimate II1997oil on canvas113 x 77,5 cm
Luc TuymansYser-tower1995oil on canvas115,5 x 75,5 cm
Luc TuymansThe Flag1995oil on canvas138 x 78,1 cm
Luc TuymansA Flemish Intellectual1995oil on canvas89,5 x 65,5 cm
Luc TuymansThe Leg1994oil on canvas50 x 40 cm
Luc TuymansDe Wandeling1993oil on canvas37 x 48 cm
Luc TuymansPlates1993oil on canvas74 x 63,5 cm
Luc TuymansIntolerance1993oil on canvas80 x 70 cm
Luc TuymansBloodstains1993oil on canvas57,5 x 47,5 cm
Luc TuymansDer Diagnostische Blick VIII1992oil on canvas68,5 x 39,5 cm
Luc TuymansDer Diagnostische Blick IV1992oil on paper57 x 38 cm
Luc TuymansBody1990oil on canvas47,6 x 38,3 cm
Luc TuymansWandeling1989oil on canvas70 x 55 cm
Luc TuymansThe Murderer1989oil on canvas32 x 28 cm
Luc TuymansThe Cry1989oil on canvas37 x 45 cm
THINGS - A HISTORY OF STILL LIFE SINCE PREHISTORY
Louvre, Paris, France October 12, 2022 - January 23, 2023
OPENING KMSKA
The Royal Museum of Fine Arts Antwerp (KMSKA) has re-opened after a renovation of 11 years. Tuymans' Der Diagnostische Blick IV (1992) hangs in dialogue with Jean Fouquet's iconic Madonna omringd door serafijnen en cherubijnen (1454 - 1456) in the renewed "Old Masters" wing of the museum.
Luc Tuymans speaks about his exhibition 'Seconds' at Zeno X Gallery.
Zeno X Gallery, Antwerp Borgerhout, Belgium May 12 - June 26, 2021
LA PELLE
Palazzo Grassi, Venice, Italy March 24, 2019 - January 6, 2020
Mark Manders & Luc Tuymans in conversation for ArtReview.
THE RETURN
De Pont, Tilburg, The Netherlands June 29 - November 17, 2019
GLASSES
National Portrait Gallery, London, United Kingdom October 4, 2016 - March 26, 2017
Prémonitions
LaM, Lille, France September 30, 2016 - January 8, 2017
MAS, Museum aan de Stroom, Antwerp, Belgium May 13 - September 18, 2016
Luc Tuymans, b. 1958 in Mortsel (BE), lives and works in Antwerp (BE).
Luc Tuymans is considered one of the most significant European painters of his generation. Born and raised in Antwerp, where he lives and works, Tuymans is an heir to the vast tradition of Northern European painting. At the same time, as a child of the 1950s, his relationship to the medium is understandably influenced by photography, television and cinema. Interested in the lingering effects of World War II on the lives of Europeans, Tuymans explores issues of history and memory as well as the relationship between photography and painting, using a muted palette to create canvases that are at once withholding and disarmingly stark. Drawing on imagery from photography, television and film, his distinctive compositions make ingenious use of cropping, close-ups and framing, offering fresh perspectives on the medium of painting as well as on broader cultural issues.
Luc Tuymans has had solo exhibitions at Palazzo Grassi (Venice), De Pont (Tilburg), National Portrait Gallery (London), The Menil Collection (Houston), Bozar (Brussels), MCA Chicago, Dallas Museum of Art, SFMOMA (San Francisco), Moderna Museet (Malmö), WIELS (Brussels), Haus der Kunst (Munich), Museu Serralves (Porto), MAMCO (Geneva), K21 (Düsseldorf), Tate Modern (London), FRAC Auvergne (Clermont-Ferrand), Pinakothek der Moderne (Munich), LaM (Lille), MAS (Antwerp) and Qatar Museums (Doha).
Luc Tuymans represented Belgium at the 2001 Venice Biennale and in 1992 he participated in documenta IX, curated by Jan Hoet. His works are included in the museum collections of The Art Institute of Chicago, Centre Pompidou (Paris), Fondazione Prada (Milan), Los Angeles County Museum of Art, MoMA (New York), National Gallery of Art (Washington, D.C.), Pinault Collection (Paris), Guggenheim Museum (New York), SFMOMA (San Francisco) and Tate (London).
Luc Tuymans joined the gallery in 1990.
Zeno X Gallery is celebrating its 40th anniversary with a series of exhibitions that shed light on the different decades of the gallery. From April 2 onwards, '40 YEARS Zeno X Gallery: the nineties' presents the seven artists who joined the gallery in the 1990s: Luc Tuymans (1990), Marlene Dumas (1993), Mark Manders (1994), Cristof Yvoré (1994), Anton Corbijn (1996), Dirk Braeckman (1999) and Johannes Kahrs (1999). The show brings historical works into dialogue with recent pieces created specially for this exhibition.
Zeno X Gallery is pleased to present the new solo exhibition of Luc Tuymans, titled Seconds.
The exhibition centres on four monumental canvases on which numbers are painted. The almost light-emitting figures seem to float in a dark space. The background is so rich in colours – painted in many shades of violet and indigo – that it seems as if the numbers are vibrating on a TV screen. The numbers are in fact based on film stills the artist made from his own films from the 1980s. A few months ago, he first painted the numbers in gouache on paper, but then immediately came upon the idea of realizing these graphic images on a large scale on canvas. The format of the works has both an immersive and cinematic impact on viewers.
Numbers have always been an important motif in the oeuvre of Luc Tuymans. In the 1970s, he glued the days of a tear-off calendar on the front of his canvases to organize them, and in the 1980s he made drawings based on numbers that he filmed with his Super 8 camera. The artist is interested in the tension that emerges between the concrete reality of the numbers and the fictional character of what is depicted. The monumentality of the works was moreover inspired by a visit to the Rothko Chapel in Houston, Texas. The other paintings in the exhibition capture stilled moments. Intermission and The Stage show the empty stage, the interval during a theatre performance. These are moments of inactivity that also contain great tension. It is no coincidence that the current pandemic has a similar effect: life seems to be on pause and we just have to wait and see what the post-Covid world will look like.
With this exhibition, Luc Tuymans is seeking to create pertinent images in the midst of a global crisis. The numbers are at once abstract and concrete, but also universal. They seem to be counting down to something new and refer to the statistical reality with which we are constantly confronted by the media. During the lockdown, the artist created several short animation films lasting a few seconds, all of which were titled Seconds. The intensive and time-consuming process of animating series of gouaches was probably only possible thanks to the time that was suddenly available.
At the back of the gallery Luc Tuymans is showing his most recent animated film, titled Happy Birthday. The series of drawings on which this film is based can also be seen in the gallery. The film depicts an inflatable duck on which a laser show is projected. The light and comical character of this work stands in stark contrast to the physical size and metaphysical gravity of the paintings.
Luc Tuymans has had solo presentations at De Pont in Tilburg (2019), Palazzo Grassi in Venice (2019), National Portrait Gallery in London (2016), LaM in Lille (2016), MAS in Antwerp (2016), Qatar Museums in Doha (2015), The Menil Collection in Houston (2013), BOZAR in Brussels (2011), MCA Chicago (2010), Dallas Museum of Art (2010), SFMOMA in San Francisco (2010), Moderna Museet in Malmö (2009), WIELS in Brussels (2009), Haus der Kunst in Munich (2008), Museu Serralves in Porto (2006), MAMCO in Geneva (2006), K21 in Düsseldorf (2004), Tate Modern in London (2004), FRAC Auvergne in Clermont-Ferrand (2003), Pinakothek der Moderne in Munich (2003), and many more.
In 1990 Tuymans had his first exhibition, Suspended, in Zeno X Gallery, at the time still in the space opposite the Royal Museum of Fine Arts Antwerp. This was followed by the exhibitions Disenchantment (1991), Der diagnostische Blick (1992), Intolerance (1993), At Random (1994), Heimat (1995), Necklace (1996), Illegitimate (1997), The Passion (1999), The Promise (2000), NIKS (2003), Les Gilles de Binche (2005), Les Revenants (2007), The Twenty Seventh of January Two Thousand and Eleven (2011), Twice (2013) with Marlene Dumas, and Scramble (2016), on the occasion of his 25-year collaboration with Zeno X Gallery.
Zeno X Gallery is pleased to present Scramble, the new exhibition by Luc Tuymans that will illuminate twenty-five years of collaboration with the gallery. Ten new and fourteen historical works are presented in alternation throughout the four exhibition rooms. A new catalogue also provides a splendid overview of the sixteen exhibitions that Tuymans has made at Zeno X.
Scramble shows a crumpled piece of paper from an advertising supplement with foodstuffs. The small, colorful prop – in stark contrast to the dark background – is enlarged to such monumental proportions that it seems to acquire a new status. The work also supplied the title of the exhibition – a reference to the combination of new and less recent works.
During installation of the show Nice: Luc Tuymans in the Menil Collection in Houston in 2013, Tuymans re-photographed every portrait present with his iPhone. This resulted in the four new portraits entitled Insert I, II, III & IV. The portrait Insert I, for example, is a close-up of the work Petrus & Paulus (1998), and Insert II a detail of the painting Frank (2003), after a Polaroid Tuymans made of Frank Demaegd in his car. Insert III refers to the portrait that Tuymans painted in 1994 of the well-known Nazi Joachim von Ribbentrop. Insert IV, finally, is based on the triptych Käthe Grüsse of 1990. The intensity of the portraits arises from the three layers of reality that are captured in each image: the original painting, the flattened reality of the iPhone photo, and the physical reality of the new painting. In this way Tuymans retraces his own steps and meta-reflects on his own oeuvre.
Brokaat depicts the richly decorated gown of St Donatian in the painting Madonna with Canon Joris van der Paele (1436) by Jan Van Eyck. Tuymans has often stressed that the influence of and his appreciation for Van Eyck is greater than that for Baroque painters like Rubens, Van Dyck, and Jordaens, who are held in such high regard in his hometown Antwerp.
Mountains seems to depict a particular landscape, but in reality it is based on a model made by the artist himself, consisting of aluminum foil and heaps of potting soil. Like the work The Louvre, which depicts the eponymous museum, both works play with scale. The photographed image acts as an intermediary and enhances confusion as to the actual size of the subject. Both images are moreover constructed, in the form of a ‘still life’ and a simulation of the museum in its primal form, taken from a documentary.
Green Light is based on a photo that offers a glimpse of an interior through a window. The flash of the photo and the reflection occupy – as is often the case – a prominent place on the canvas. Tuymans often uses light to conceal his subjects rather than highlight them. The flash of the camera also betrays the contemporary layer in his work and underscores the current omnipresence of the screen standing between reality and us.
The Priest is an image cut out of a religious poster depicting hands and holy water. Christian iconography has turned out to be an important motif – not only in this exhibition, but in his entire oeuvre.
In 1990 Tuymans had his first exhibition, Suspended, in Zeno X Gallery when it was still in the space opposite the Royal Museum of Fine Arts of Antwerp. It was followed by the exhibitions Disenchantment (1991), Der Diagnostische Blick (1992), Intolerance (1993), At Random (1994), Heimat (1995), Necklace (1996), Illegitimate (1997), The Passion (1999), The Promise (2000), NIKS (2003), Les Gilles de Binche (2005), Les Revenants (2007), The Twenty Seventh of January Two Thousand and Eleven (2011), and Twice (2013), together with Marlene Dumas.
Later this year he will have exhibitions at LAM Musée d’art moderne, d’art contemporain et d’art brut in Lille and the National Portrait Gallery in London. He will also participate in the 9th Biennale of Montréal. In addition, he is organizing an exhibition on the work of James Ensor at the Royal Academy of Arts in London.
Currently on view until September 18 at the MAS in Antwerp is a solo exhibition entitled Glasses. Tuymans has also had solo exhibitions at the Qatar Museums in Doha (2015), Talbot Rice Gallery in Edinburgh (2015), the Menil Collection in Houston (2013), Wexner Center for the Arts in Columbus (2011), BOZAR in Brussels (2011), SFMOMA in San Francisco (2010), Dallas Museum of Art (2010), Museum of Contemporary Art in Chicago (2010), Moderna Museet in Malmö (2009), Wiels in Brussels (2009), Haus der Kunst in Munich (2008), Kunsthalle Budapest (2007), Fundação de Serralves in Porto (2006), Tate Modern in London (2004), Pinakothek der Moderne in Munich (2003), Kunstverein Hannover (2003), Hamburger Bahnhof in Berlin (2001), etc.
We are very proud to announce our upcoming exhibition of works by Marlene Dumas and Luc Tuymans. This is the third exhibition in our new gallery space, which was renovated by the Belgian architects Coussée & Goris.
Since 1993 works by Marlene Dumas (°1953, Cape Town) and Luc Tuymans (°1958, Mortsel) have often been included in the same group exhibitions but they have never had a major presentation together. Now, for the first time ever, these two artists will be showing a complete body of work alongside each other in ‘TWICE’.
Both artists have always paid special attention to the titles of their exhibitions. Currently work from 1978 until 2011 by Luc Tuymans is on view in a solo exhibition, ‘NICE. Luc Tuymans’, at the Menil Collection in Houston. Consequently ‘TWICE AS NICE’ seemed like a logical possible title for this joint exhibition. After a brief discussion the artists agreed to the title ‘TWICE’. Although they are exhibiting their work together, there is no general theme that connects their works. Dumas and Tuymans decided in advance to create no more than six works each in order to keep it compact. When you look at these two solo exhibitions together certain similarities and differences become even more apparent, which, in turn, stimulates the dialogue about painting.
Dumas and Tuymans each have a very different approach. Marlene Dumas does not have a pre-established plan when she starts to work on a new series. Her main focus gradually begins to take shape while she paints. Her approach tends to be organic, leaving space and time for coincidences and her creative process is very different from Tuymans’s. He clearly defines the concept for his exhibition, explores the theme and decides in advance what the paintings should look like. The actual painting process is concentrated, fast, structured and most of the work is done in one day.
Both artists have an ambiguous relation to the photographic, cinematographic or painted image and its meaning. According to Marlene Dumas:
The Artwork as Misunderstanding There is a crisis with regard to representation.They are looking for meaning as if it was a thing.As if it was a girl required to take her panty off.As if she would want to do so, as soon as the true interpreter comes along.As if there was something to take off.
Dumas also often refers to the notion of “couples” in art or pokes fun at male/female oppositional thinking:
I have painted more women than menI paint women for menI paint women for womenI paint the women of my men
Luc Tuymans always mistrusts images because they can be easily manipulated or taken out of context. The image is just a perception, an interpretation of the reality. Tuymans explains: ‘The small gap between the explanation of a picture and the picture itself provides the only possible perspective on painting. My comments refer only to its ambiguity’.
The idea for Tuymans’s new group of works originated in a small painting he made in 1987 of a cook. This work remained unfinished and ended up in his archives. For ‘TWICE’ he reused this old image but chose to create a large-scale painting. In ‘Cook’ we see a man stirring a liquid mass in a large pot. The man’s face is blurry either due to the steam emanating from the pot or because of a light that shines behind him. A chiaroscuro divides the painting in a dark and light mass. The background is darker and more difficult to define. The colours Tuymans uses are warm and vibrant, contrasting with Dumas’s cold and bright palette. Tuymans further explored the theme of the cook in ‘In the Kitchen’, ‘Good advice’ and ‘Containers’.
All these works are close-ups of a large photo he took in the kitchen of a famous old restaurant in Warsaw. It is a very masculine subject, with chefs often being portrayed as machos. The cook is a dominant figure who controls all the operations in the kitchen and who attaches great importance to a hierarchic structure. This ensemble elicits reflections on the representation of politics, monopoly and power.
‘Containers’ is the only work that has a more feminine feel to it. A group of cans and bottles have been arranged together as a still-life. But questions arise about their content. Do they belong in the kitchen? Or are they cosmetics for the bathroom?
‘Dad’s Heat’ features an old heater that Tuymans received from his father. The contrast between the cool background colours and the vibrant red tones give the impression of radiant warmth emanating from the appliance.
One work, ‘My Door I-VI’, is more autonomous. It is a series of six watercolours in which a dark background is lit up by a bright, white stain. This painting is based on several snapshots he took at home of a ray of sun falling onto a door. The painting’s subtle balance between figuration and abstraction creates an ambiguous impression of a mysterious cave.
Both Luc Tuymans and Marlene Dumas have created works with references to political and historical events. While Tuymans focused on the Belgian involvement in the assassination of Congo’s first president, Patrice Lumumba, in his previous series ‘Mwana Kitoko: Beautiful White Man’ (2000) Dumas is more interested in the apparent grief of Lumumba’s wife Pauline in a news image from 1961. In 1982 Dumas used this image in a collage called “3 vroue en ek’. In a new work, ‘The Widow’, she uses the same image again but now the woman even appears twice. Although the same scene is repeated in the diptych the mood is different. In the larger work, we zoom in closer to focus on the figure of Pauline Lumumba and the two men dressed in white on either side of her. She is bare-breasted as a sign of protest and mourning and provocative and vulnerable at the same time. In the small painting we zoom out to see the wider context. Now the relationship with the crowd and the military surroundings demand our attention. In ‘The Trophy’ Dumas also revisits an existing piece. It is another version of her work ‘The Woman of Algiers’ from 2001. The painting is based on a photo of a young naked girl held captive by two soldiers during the Algerian War of Independence in 1960. Dumas fell upon this image, which was published 40 years later in ‘L’ Express’ with censorship bars across her breasts and pubic area. In ‘Nuclear Family’ a family poses naked. Only the children are wearing underpants. It is the first time that Dumas paints a family, a harmonious group portrayed against the backdrop of a landscape that is steeped in unnatural light.
In the ‘The Artist and his Model’ Dumas again plays with the notion of twice, the second, the double and in this sense also with the title of this exhibition. She reflects on her position as an artist and the relation between the artist and the model. Here Luc Tuymans appears as her model. In the background we see a spectre of his model, the former Queen of the Netherlands, whom Tuymans painted. The work is in the collection of the Stedelijk Museum in Amsterdam and was officially presented to the public during the re-opening of the Stedelijk Museum in 2012. In ‘Double’ we see her daughter, who has often been featured as a model in her body of work, now as a young woman, with her reflection, look-alike or double. The only painting to feature only one figure is ‘Missing Picasso’. But then again the title refers to a second presence, the master of ‘the female nude’.
Currently several of Marlene Dumas’s works are on show in the group exhibition ‘Prima Materia’ at Punta Della Dogana in Venice. In September 2014 the Stedelijk Museum in Amsterdam will host a retrospective of Marlene Dumas’s work. This major exhibition will travel to Tate Modern in London and the Beyeler Foundation in Basel.
Doha, the capital of Qatar, commissioned a gigantic mosaic by Luc Tuymans. The inauguration is scheduled for the end of 2015. A solo exhibition of Tuymans’s work will simultaneously be held at the Museum of Doha. Earlier Tuymans donated a mosaic of 1600 sq.m. for the square in front of the MAS museum in Antwerp. ‘Dead Skull’ is based on a memorial tablet for Quentin Massys (1466-1529), an important painter who founded the painters’ guild, which can be found on the wall next to the entrance of the Cathedral of Antwerp. Tuymans used this image before in a painting dating from 2002. This mosaic is Tuymans’s first public work to be permanently on display.
Luc TuymansHappy Birthday2023oil on canvas218 x 131 cm
Jack WhittenSeven Loops For Elizabeth Murray2011acrylic on canvas
Marina RheingantzMaria Ruth2023oil on canvas150 x 130 cm
Raoul De KeyserSketch (La Mancha)2006oil on canvas, charcoal and gesso100 x 125 cm
Marlene DumasBermuda Triangle2000oil on canvas100 x 56 cm
Marina RheingantzBraquiaria2022oil on linen130 x 110 cm
Salman ToorLoincloth Man2023oil on panel61 x 45,7 cm
Strauss Bourque-LaFranceLA L'AGUNA2023acrylic, Flashe (vinyl paint), graphite, canvas collage and adhesives on canvas30,5 x 40,6 cm
Strauss Bourque-LaFranceDusk Chain2023acrylic, Flashe (vinyl paint), graphite, canvas collage and adhesives on canvas50,8 x 40,6 cm
Strauss Bourque-LaFranceOld Yolk2023acrylic, Flashe (vinyl paint), graphite, canvas collage and adhesives on canvas38,1 x 50,8 cm
Raoul De KeyserRests2007acrylic and gesso on canvas56 x 71 cm
Photo: Peter CoxCourtesy Zeno X Gallery, AntwerpSoul Mapping - installation view
Photo: David Samyn Courtesy the artistInstallation view Luc Tuymans and Pélagie Gbaguidi
Photo: David SamynCourtesy the artistInstallation view Luc Tuymans
Photo: David SamynCourtesy the artist and Zeno X GalleryInstallation view Anne-Mie Van Kerckhoven
Photo: David SamynCourtesy the artist and Zeno X GalleryInstallation view Pélagie Gbaguidi
Photo: Dirk PauwelsInstallation view Patrick Van Caeckenbergh
Photo: Dirk PauwelsInstallation view Raoul De Keyse
Photo: Dirk PauwelsInstallation view Luc Tuymans
Photo: Dirk PauwelsInstallation view Anne-Mie Van Kerckhoven
Photo: Aurélien MoleCourtesy David Zwirner, ParisInstallation view
Cristof YvoréUntitled2012oil on canvas100,5 x 125 cm
Anton CorbijnAllen Ginsberg, New York1996lithprint (edition of 20 + 2 AP)69 x 68 cm
Anton CorbijnWilliam S. Burroughs, Lawrence1993lithprint (edition of 20)68 x 69 cm
Anton CorbijnNaomi Campbell, London1994pigment print on Hahnemühle fine art paper, mounted on aluminium (edition of 5)142 x 142 cm
Mark MandersUnfired Clay Head2015 - 2016painted epoxy, wood, stainless steel, glass43,2 x 31 x 31 cm
Cristof YvoréLe tapis d'Edward1993oil on canvas33,5 x 31 cm
Dirk BraeckmanE.P.-S.V.-931993gelatin silver print mounted on aluminium support (edition of 3 + 1 AP)120 x 80 cm
Johannes KahrsGirl with Yellow Wig2005oil on canvas63,0 x 56,4 cm
Dirk BraeckmanT.I.-A.B.-152015gelatin silver print reversibly mounted on aluminium support (edition of 5 + 1 AP)90 x 60 cm
Johannes Kahrsuntitled (zu bett gehen)2021oil on canvas45,2 x 80 cm
Johannes Kahrsuntitled (zu bett gehen)2020oil on canvas45,2 x 80 cm
Marlene DumasPornoblues19936 watercolours on pape
Mark MandersFox / Mouse / Belt1993painted bronze, belt (edition of 3 + 2 AP)15 x 120 x 40 cm
Marlene DumasBaudelaire (double)2020oil on canvas40 x 30 cm
Photo: Peter CoxCourtesy Zeno X GalleryInstallation view
Photo: Aurélien MoleCourtesy Bourse de Commerce - Pinault CollectionInstallation view Luc Tuymans
Photo: Peter CoxCourtesy Zeno X Gallery - AntwerpInstallation view
N. DashCommuter (2)2019 - 2020acrylic, paper52,4 x 37,8 cm20,63 x 14,88 in
N. DashCommuter (1)2019 - 2020acrylic, paper39,4 x 51,6 cm15,51 x 20,31 in
Luc TuymansThe Owl2019acrylic ink on polyester tracing paper27 x (28,7 x 15,8 cm) animated video: variable dimensions
Michaël BorremansThe Feast2019pencil and white ink on paper26,7 x 21,2 cm
Mark MandersUntitled1994pencil on paper29,6 x 21 cm
Mark MandersUntitled2000pencil on paper42 x 29,5 cm
Mark MandersDrawing with a Glass functioning as an O1999pencil on paper29,7 x 42 cm
Mark MandersUntitled2009pencil on paper21 x 29,7 cm
Mark MandersUntitled1994paint and pencil on paper32 x 25 cm
Mark MandersUntitled1995pencil on paper29,7 x 21 cm
Kees GoudzwaardTwo Connected Flag Fragments2015acrylic on cardboard29,6 x 21,1 cm
Anne-Mie Van KerckhovenZonder Commentaar2019collage on coloured paper3 x (32 x 24 cm)
Hyun-Sook SongUntitled2014 - 2018tempera on paper22,5 x 27,4 cm
Hyun-Sook SongUntitled2011tempera on paper30,8 x 20,5 cm
Hyun-Sook SongUntitled2018tempera on paper30,8 x 23,5 cm
N. DashUntitled2019acrylic, paper55,9 x 32,4 cm22,01 x 12,76 in
N. DashUntitled2019graphite, paper54,6 x 53,3 cm21,5 x 20,98 in
Marlene DumasSleeping Nymph2003acrylic and ink on paper62 x 85 cm
Kees GoudzwaardWorking Materials2019acrylic on cardboard50 x 40 cm
Kees GoudzwaardUntitled2019acrylic on paper65,1 x 49,9 cm
Anne-Mie Van KerckhovenZonder Woorden2019collage on coloured paper3 x (32 x 24 cm)
Anne-Mie Van KerckhovenZonder Uitleg2019collage on coloured paper3 x (32 x 24 cm)
Photo: Peter CoxCourtesy Zeno X Gallery, Antwerp
Photo: JJY PHOTO©️TANK ShanghaiInstallation view Mark Manders
Photo: Peter Cox© Palazzo GrassiInstallation view
Photo: Peter Cox© Palazzo GrassiInstallation View
Dirk BraeckmanE.V.-S.E.-182018gelatin silver print reversibly mounted on aluminium180 x 120 cm
Luc TuymansPigeons2018oil on canvas
Kees GoudzwaardFieldnotes2018oil on canvas 150 x 300 cm
Dirk BraeckmanN.E.-S.C.-182018gelatin silver print reversibly mounted on aluminium (edition of 3)180 x 120 cm
Kees GoudzwaardSketch2018oil on canvas120 x 90 cm
Jan De MaesschalckUntitled (Rite)201736 x 41,4 cm
Dirk BraeckmanO.C-A.T /7- 20182018gelatin silver print reversibly mounted on aluminium (edition of 5)90 x 60 cm
Kees GoudzwaardFour Blue Lines2018oil on canvas180 x 220 cm
Jan De MaesschalckUntitled (Passers-by)2018acrylic on paper79,8 x 58 cm
Jan De MaesschalckHow he became a foundling2018acrylic on paper42 x 31 cm
Jan De MaesschalckThe Young Giant and His Disciples2017acrylic on paper65 x 60,5 cm
Photo: Peter CoxCourtesy Zeno X Gallery, AntwerpInstallation view
Dirk BraeckmanP.T.-B.R.-17 #22017gelatin silver print mounted on aluminium support120 x 80 cm (unique)
Kim JonesUntitled2008acrylic and ink on board50,8 x 76,2 cm
Kim JonesUntitled2008acrylic and ink on board50 x 76 cm
Mark MandersFalling Dictionaries2018offset print and acrylic on paper, chicken wire, aluminium
Marlene DumasThe Politics of Recognition / Onze Vaders1991ink on pape
Michaël BorremansThree Degrees2017pencil and ink on paper14,1 x 21,1 cm
Philip MettenC-1022017collage on paper53,5 x 49,5 cm
Philip MettenC-1012017collage on paper57,5 x 46 cm
Philip MettenC-1082017collage on paper54 x 50,6 cm
Philip MettenC-0572016collage on paper9,4 x 9,3 cm
Philip MettenC-1052017collage on paper20,9 x 20,4 cm
Patrick Van CaeckenberghDen Beggaard2018mixed media52 x 110 cm
Pietro RoccasalvaStudy for Il Traviatore2017acrylic on paper69,8 x 43,1 cm
Pietro RoccasalvaStudy for Il Traviatore2010acrylic on paper69,5 x 47 cm
Paulo MonteiroUntitled201322k gold and gouache on paper25,5 x 18,5 cm
Paulo MonteiroUntitled201622k gold and gouache on paper14 x 9 cm
Paulo MonteiroUntitled201722k gold and ecoline on pape
Paulo MonteiroUntitled2016gouache on paper31 x 27,5 cm
Hyun-Sook SongUntitled2013tempera on paper25,4 x 34,7 cm
Hyun-Sook SongUntitled2017tempera on paper26 x 32,2 cm
Hyun-Sook SongUntitled2015tempera on paper20,5 x 28,4 cm
Hyun-Sook SongUntitled2012tempera on paper34 x 23,7 cm
Jack WhittenLooking For Bin Laden #8 (Second Set)2008toner on rice paper61 x 82,6 cm
Jack WhittenSpace Flower #42006acrylic, pastel, powdered Mylar on rice paper20,3 x 19,1 cm
Jack WhittenSpace Flower #22006acrylic, pastel, powdered Mylar on rice paper21 x 19,1 cm
Luc TuymansUntitled2017graphite on pape
Jockum NordströmBjörnen sover (the Bear is sleeping)2017collage, watercolour and pencil on paper97 x 71 cm
Jockum NordströmSjukhusparken (Hospital park)2017collage, watercolour and graphite on paper72 x 104 cm
Jockum NordströmSent by Hand2008graphite on paper45 x 60 cm
Jockum NordströmStage Whisper2008graphite on paper42 x 30 cm
Photo: Peter CoxCourtesy Zeno X Gallery - Antwerp
Luc TuymansDisenchantment1990oil on canvas84 x 84 cm
Luc TuymansMemory1991oil on canvas37 x 24 cm
Susan HartnettOct. 8 2011 #3, Blue-joint grass (Calamagrostis canadensis)2011charcoal on paper56,5 x 76 cm
Susan HartnettNov. 25 2011 #2, Blue lyme grass (Leymus arenarius)2011charcoal on paper56,5 x 76 cm
Susan HartnettOct. 18 2011 #2, Blue-joint grass (calamagrostis canadensis)2011charcoal on paper56,5 x 76 cm
Susan HartnettDec. 12 2011 #1, Blye lyme grass (Leymus arenarius)2011charcoal on paper56,5 x 76 cm
John KörmelingNew Friend, Maasplein Utrecht1995pencil on paper29,7 x 21,0 cm
John KörmelingAutovrije Stad2002pencil on paper29,7 x 21,0 cm
John KörmelingWatertaxi, Hotel New York Rotterdam1999pencil on paper21,0 x 29,7 cm
John KörmelingDrive-In Wheel, Mobile Fun1999pencil on pape
John KörmelingBetter City, Better Life, Happy Street - Het Interieur is Buiten2006pencil on paper30,0 x 42,5 cm
John KörmelingMotel Vianen2012pencil on paper21,0 x 29,7 cm
Pietro RoccasalvaStudy for Il Traviatore2013charcoal on paper12,3 x 16,5 cm
Pietro RoccasalvaStudy from Just Married Machine2014charcoal and pastel on paper26,5 x 65 cm
Pietro RoccasalvaStudy for Il Traviatore2014charcoal on paper54,8 x 27,2 cm
John KörmelingSociale Weg (Socialized Road)2001pencil on paper29,7 x 21 cm
John KörmelingHet Nederlands Paviljoen 2010, Happy Street2006pencil on paper30 x 52 cm
Jack WhittenRadiator Drawing #22010graphite on rice paper49,5 x 68,5 cm
Jack WhittenRadiator Drawing #32010graphite on rice paper49,5 x 68,5 cm
Jack WhittenSyntax #112010dry pigment on rice paper17,1 x 59,7 cm
Jack WhittenSyntax #122010dry pigment on rice paper15,9 x 62,2 cm
Marlene DumasJ.H.1992ink and crayon on paper20,5 x 14 cm
Luc TuymansGood Advice2014gouache on paper40,4 x 29,7 cm
Luc TuymansAllo!2014watercolour on paper11 x 80,5 cm
Luc TuymansThunderbirds2014pastel on paper29,5 x 17 cm
Luc TuymansPanel2014gouache on paper42 x 29,7 cm
Pietro RoccasalvaStudy for Il Traviatore2013charcoal on paper12 x 15 cm
Jan De MaesschalckLes Doublures (The Understudies)2014acrylic on paper47 x 65 cm
Jan De MaesschalckLooking Back2014acrylic on paper55 x 36,5 cm
Jan De MaesschalckUntitled (Long Distance Call)2014acrylic on paper43 x 36,7 cm
Jan De MaesschalckUntitled (In Memoriam Card)2014acrylic on paper40 x 36,5 cm
Jan De MaesschalckTale of Chivalry2014acrylic on paper42,4 x 33 cm
Johannes KahrsUntitled2013graphite on paper72,4 x 54 cm
Johannes KahrsUntitled2013graphite on paper98 x 76,9 cm
Johannes KahrsUntitled2013graphite on paper61,8 x 74,9 cm
Johannes KahrsOT (Plan)2013graphite on paper51 x 51 cm
Marlene DumasPoging 8 tot het Verbeelden van Jan Hoet1992ink and crayon on paper20,5 x 13,5 cm
Marlene DumasPortret Jan Hoet1992ink and crayon on paper20,5 x 14,7 cm
Marlene DumasPortret voor JH1992ink and crayon on paper20,5 x 15 cm
Marlene DumasNuclear Family2013oil on canvas200 x 180 cm
Marlene DumasThe Widow2013oil on canvas(150 x 140 cm) + (60 x 80 cm)
Marlene DumasMissing Picasso2013oil on canvas175 x 87 cm
Marlene DumasThe Artist and His Model2013oil on canvas200 x 100 cm
Marlene DumasThe Trophy2013oil on canvas200 x 180 cm
Luc TuymansMy Door I2013watercolour on paper29,7 x 42 cm
Luc TuymansMy Door II2013watercolour on paper29,7 x 42 cm
Luc TuymansMy Door III2013watercolour on paper29,7 x 42 cm
Luc TuymansMy Door IV2013watercolour on paper29,7 x 42 cm
Luc TuymansMy Door V2013watercolour on paper29,7 x 42 cm
Luc TuymansMy Door VI2013watercolour on paper29,7 x 42 cm
Photo: Paul HesterCourtesy of Menil ArchivesInstallation view
Photo: Philippe De GrobertCourtesy BOZAR, Centre for Fine Arts, BrusselsInstallation view
Luc TuymansInterior Nr. I2010oil on canvas184,5 x 145 cm
Luc Tuymans4PM2010oil on canvas188,4 x 138 cm
Luc TuymansInterior Nr. II2010oil on canvas204,4 x 156,1 cm
Luc TuymansPublicity2010oil on canvas153 x 113,4 cm
Luc TuymansDriver2010oil on canvas276,2 x 143 cm
Luc TuymansThe Deal2007oil on canvas166 x 140,3 cm
Luc TuymansThe Pledge2007oil on canvas132,2 x 172,5 cm
Luc TuymansRome2007oil on canvas231,5 x 312,5 cm
Luc TuymansVersailles2007oil on canvas126,4 x 198,1 cm
Luc TuymansThree Moons2007oil on canvas172,5 x 132,2 cm
Luc TuymansThe Exorcist2007oil on canvas84 x 118 cm
Luc TuymansSeal2007oil on canvas50 x 70 cm
Luc TuymansThe Spiritual Exercises 12007watercolour on paper25 x 17,5 cm
Luc TuymansThe Spiritual Exercises 22007watercolour on paper25 x 17,5 cm
Luc TuymansThe Spiritual Exercises 32007watercolour on paper25 x 17,5 cm
Luc TuymansThe Spiritual Exercises 52007watercolour on paper25 x 17,5 cm
Photo: Peter CoxCourtesy Zeno X Gallery - AntwerpInstallation view Zeno X Gallery Antwerp South
Photo: Peter CoxCourtesy Zeno X Gallery - AntwerpInstallation view Zeno X Gallery Antwerp Borgerhout
Patrick Van CaeckenberghOntwerp voor Fluitketel (Design for Singing Teakettle)1999collage58,5 x 35 cm
Patrick Van CaeckenberghZelfportret (Self-portrait)1999collage56 x 38 cm
Raoul De KeyserUntitled1987oil on canvas48 x 30 cm
John KörmelingGlass Bridge, Ponte dell'Academia, Venice1985scale model: glass, plexi dome, marble and blue limestone21,5 x 65,0 x 21,0 cm
Marlene DumasGive the People What They Want1992oil on canvas40 x 30 cm
Yun-Fei JiThe Water Buffalo2006mineral pigment on rice paper33 x 32,8 cm
Anton CorbijnBjörk, Los Angeles1994gelatin silver print handprinted on oriental Seagull paper (edition of 20)68 x 69 cm
Dirk BraeckmanA.D.F.-B.E.-032003gelatin silver print mounted on aluminium support (edition of 3 + 1 AP)180 x 120 cm
Dirk BraeckmanHinge #12006ultrachrome inkjet print on Fuji photo rag paper mounted on aluminium support (edition of 5 + 1 AP)49 x 36 cm
Mark MandersFragment from Self-Portrait as a Building1986 - 1992painted bronze, mixed media (1 of 3)variable dimensions
Anne-Mie Van KerckhovenHomo Bulla1983 - 1984acrylic on plexi, mounted on steel plate100,3 x 201,5 cm
Patrick Van CaeckenberghSchildpad (Turtle)1990turtle shell, mixed media15 x 20 x 30 cm
Michaël BorremansThe Resemblance2006oil on canvas2 x (36 x 42 cm)
Michaël BorremansWeight200535mm, 9'44", continuous loop (edition of 3 + 1 AP)35,5 x 27,5 x 4 cm
Miriam CahnKrieg1998oil on canvas(90,5 x 56,8) + (105 x 60,5) cm
Raoul De KeyserDisaster2006charcoal, oil and gesso on canvas56 x 48 cm
Raoul De KeyserFlow2006oil on canvas36 x 30 cm
Jan De MaesschalckUntitled2002acrylic on paper27,3 x 36 cm
Jan De MaesschalckUntitled2003acrylic on paper27 x 35,7 cm
Stan DouglasRookery, Burnaby2001C-print (edition of 7)125 x 171 cm
Marlene DumasTina2006oil on canvas110 x 130 cm
Marc GoethalsUntitled1986oil on canvas18 x 24 cm
Kees GoudzwaardScreen2006oil on canvas120 x 80 cm
Mary HeilmannJohngiorno1995oil on canvas196 x 146 cm
Arturo HerreraUntitled (Dia Collage)1998mixed media on paper30,5 x 22,8 cm
Yun-Fei JiTwo Men with Bags2006mineral pigment on rice paper50,5 x 39,5 cm
Kim JonesUntitled (war drawing)2005 - 2006pencil on paper63,6 x 96,3 cm
Johannes Kahrsuntitled (origine du monde)1997charcoal and pastel on paper118 x 84 cm
Johannes KahrsMik's hand2005oil on canvas52 x 62 cm
John KörmelingMeeting point2005scale model, metal11 x 38 x 20 cm
Bernd LohausUntitled1984wooden crate with silver paper44,5 x 35 x 6 cm
Mark MandersFragment from Self-Portrait as a Building1993mixed media(12 x 90 x 15,5 cm) + (24,5 x Ø11,5 cm) + (12,5 x Ø10 cm)
Arno Nollendoped at anna's Barcelona2002colour photograph (edition of 5)45,5 x 30 cm
Arno NollenTrainingsjasje2004colour photograph (edition of 5)45 x 30 cm
Avery PreesmanUntitled2000wood, concrete95 x 70 x 45 cm
Gert Robijns26 x 26 alphabet1985mixed media32,5 x 110 x 130 cm
Jenny ScobelMackerel Sky2006graphite, watercolour and wax on gessoed wood107 x 61 cm
Maria SerebriakovaUntitled1989wood161 x 41 x 53 cm
Maria SerebriakovaUntitled1989wood160 x 70 x 31 cm
Maria SerebriakovaUntitled1989wood160 x 49 x 48 cm
Maria SerebriakovaUntitled1992book sculpture with house20 x 37 x 25 cm
Maria SerebriakovaLandscape2006oil on wood45 x 35 cm
Miroslav TichyUntitled (inv.nr.4-6-121)black and white photograph16,8 x 12,4 cm
Miroslav TichyUntitled (inv.nr.4-6-133)black and white photograph17,9 x 7,9 cm
Miroslav TichyUntitled (inv.nr.4-6-199)gelatin silver print27,2 x 19,6 cm
Luc TuymansImperméable2006oil on canvas224 x 94 cm
Anne-Mie Van KerckhovenRewritten, It Was Later to Become2005digital print, plexi and Forex41 x 75 cm
Anne-Mie Van KerckhovenChippendale (Angel in the House)2005digital print, plexi and Forex35 x 75 cm
Anne-Mie Van KerckhovenRewritten, It Was Later to Become2005Lambda print integrated in plexi lightbox41 x 75 x 14,5 cm
Cristof YvoréUntitled2006oil on canvas68,5 x 86 cm
Photo: Peter CoxCourtesy Zeno X Gallery, Antwerp25 years Zeno X Gallery - installation view
Luc TuymansGilles de Binche2004oil on canvas191,5 x 76,5 cm
Luc TuymansMardi gras2004oil on canvas57,3 x 83,7 cm
Luc TuymansSmashed oranges2004oil on canvas70,5 x 183,5 cm
Luc TuymansParade2004oil on canvas129,5 x 180,5 cm
Luc TuymansWindow2004oil on canvas152,7 x 125,5 cm
Luc TuymansIdol (after work by Carla Arocha)2005oil on canvas152,5 x 116,5 cm
Luc TuymansMasks2005oil on canvas144,5 x 111 cm
Luc TuymansDough2005oil on canvas58 x 50,5 cm
Luc TuymansExhibit #12002oil on canvas90,5 x 122,8 cm
Luc TuymansExhibit #22002oil on canvas84 x 98 cm
Luc TuymansExhibit #32002oil on canvas111 x 137,8 cm
Luc TuymansExhibit #42002oil on canvas84 x 111,8 cm
Luc TuymansExhibit #52002oil on canvas124,3 x 158,5 cm
Luc TuymansSlide #12002oil on canvas203,5 x 134 cm
Luc TuymansSlide #32002oil on canvas200 x 159 cm
Luc TuymansStudio2002oil on canvas206 x 300 cm
Luc TuymansNiks2002oil on canvas109 x 113 cm
Luc TuymansLandscape2000oil on canvas150 x 87 cm
Luc TuymansHair2000oil on canvas142 x 74 cm
Luc TuymansHands2000oil on canvas62 x 53 cm
Luc TuymansPortrait2000oil on canvas56,5 x 30 cm
Luc TuymansCosmetics2000oil on canvas85,5 x 59,5 cm
Luc TuymansOberammergau1999synthetic paint on polyester sphereØ 150 cm
Luc TuymansChrist1998oil on canvas122,5 x 58 cm
Luc TuymansMirror1999oil on canvas210 x 47 cm
Luc TuymansBird1998oil on canvas68,5 x 68 cm
Luc TuymansPetrus & Paulus1998oil on canvas118 x 86 cm
Luc TuymansGold1999oil on canvas187,5 x 90,5 cm
Luc TuymansJudas1999oil on canvas45 x 31,5 cm
Luc TuymansCrucifix1999oil on canvas
Luc TuymansIllegitimate IV1997oil on canvas64 x 89,5 cm
Luc TuymansIllegitimate I1997oil on canvas210 x 131 cm
Luc TuymansIllegitimate V1997oil on canvas72 x 75,5 cm
Luc TuymansBlessing1996oil on canvas143 x 187 cm
Luc TuymansG.I. Joe1996oil on canvas68,5 x 62 cm
Luc TuymansFocus1996oil on canvas147 x 76 cm
Luc TuymansBibs1995oil on canvas81,5 x 86 cm
Luc TuymansResentment1995oil on canvas94,5 x 63,5 cm
Luc TuymansFlemish village1995oil on canvas110,5 x 144,5 cm
Luc TuymansThe Rabbit1994oil on canvas59,3 x 71,5 cm
Luc TuymansThe Corner1994oil on canvas48,8 x 38 cm
Luc TuymansSelfportrait1994oil on canvas65 x 46,5 cm
Luc TuymansSurgery1994oil on canvas65 x 62,5 cm
Luc TuymansBlacklight1994oil on canvas55 x 82 cm
Luc TuymansAt Random1994oil on canvas51 x 43,5 cm
Luc TuymansWindow1993oil on canvas44,5 x 34 cm
Luc TuymansFlowers1993oil on canvas79,5 x 79,5 cm
Luc TuymansEmbroidery1993oil on canvas128 x 94,5 cm
Luc TuymansButtonhole1991oil on canvas47,7 x 38 cm
Luc TuymansDer Diagnostische Blick II1992oil on canvas58,5 x 39 cm
Luc TuymansDer Diagnostische Blick III1992oil on canvas62 x 40 cm
Luc TuymansDer Diagnostische Blick V1992oil on canvas58 x 42 cm
Luc TuymansDer Diagnostische Blick VI1992oil on canvas75 x 48 cm
Luc TuymansDer Diagnostische Blick VII1992oil on canvas65,5 x 45,5 cm
Luc TuymansDer Diagnostische Blick IX1992oil on canvas49 x 57 cm
Luc TuymansMirror1990oil on canvas56,5 x 82,5 cm
Luc TuymansLatrines1991oil on canvas50 x 76 cm
Luc TuymansSuspended1989oil on canvas60 x 40 cm
Luc TuymansThe Swimming Pool1989oil on canvas37,5 x 61 cm
Luc TuymansChurch1990oil on canvas51,5 x 64,5 cm
Luc TuymansKäthe Grüsse1990oil on canvas(36 x 34,5) + (36 + 35,5) + (37 x 35) cm
Luc TuymansLes Yeux sans Visage1990oil on canvas37 x 51,5 cm
Luc TuymansSecrets1990oil on canvas52 x 37 cm
Luc TuymansSolitude1990oil on canvas35 x 34 cm
Luc TuymansSybille1990oil on canvas36,5 x 42 cm
Luc TuymansWaiting1990oil on canvas31 x 47 cm
21st Century Museum of Contemporary Art, Kanazawa, Japan Art Institute of Chicago, Chicago, United States of America Berkeley Art Museum, Berkeley, United States of America Bonnefantenmuseum, Maastricht, The Netherlands Carnegie Museum of Art, Pittsburg, United States of America Centre Georges Pompidou, Paris, France Dallas Museum of Art, Dallas, United States of America De Pont, Tilburg, The Netherlands FRAC Auvergne, Clermont-Ferrand, France Hamburger Bahnhoff, Berlin, Germany Hirshhorn Museum, Washington D.C., United States of America Hudson Valley Center for Contemporary Art, Peekskill, United States of America Igal Ahouvi Collection, Tel Aviv, Israel The Israel Museum, Jerusalem, Israel Kaiser Wilhelm Museum, Krefeld, Germany Kunstmuseum Bern, Bern, Switzerland Kunstmuseum Wolfsburg, Wolfsburg, Germany LACMA Los Angeles County Museum of Art, Los Angeles, United States of America Louisiana Museum, Humlebaek, Denmark M HKA Museum of Contemporary Art, Antwerp, Belgium Magasin III Museum for Contemporary Art, Stockholm, Sweden The Menil Collection, Houston, United States of America MOCA Museum of Contemporary Art, Los Angeles, United States of America MoMA Museum of Modern Art, New York, United States of America Musée des Beaux-Arts de Nantes, Nantes, France Museum für Moderne Kunst, Frankfurt, Germany Museum Voorlinden, Wassenaar, The Netherlands Mu.ZEE, Ostend, Belgium National Gallery of Art, Washington, United States of America National Museum of Art, Osaka, Japan New Museum of Contemporary Art, New York, United States of America The New Museum, New York, United States of America Philadelphia Museum of Art, Philadelphia, United States of America Pinakothek der Moderne, Munich, Germany Pinault Collection, Paris, France RMFAB Royal Museum of Fine Arts of Belgium, Brussels, Belgium Rubell Family Collection, Miami, United States of America Serralves Foundation, Porto, Portugal SFMOMA San Francisco Museum of Modern Art, San Francisco, United States of America Sifang Art Museum, Nanjing, China S.M.A.K. Municipal Museum of Contemporary Art, Ghent, Belgium Solomon R. Guggenheim Museum, New York, United States of America Staatliche Kunstsammlungen, Dresden, Germany Stadsgalerij Heerlen, Heerlen, The Netherlands Stedelijk Museum, Amsterdam, The Netherlands Tate Gallery, London, United Kingdom Walker Art Center, Minneapolis, United States of America
“As far as Luc Tuymans is concerned, nothing is original” The New York Times, article by Jameson Fitzpatrick (online) October 2020
“Bare Life – Molly Warnock on Luc Tuymans’s Bloodstains, 1993” ArtForum, article by Molly Warnock (online) May/June 2020
“The dark art of seduction: Luc Tuymans in Venice” Financial Times, article by Jackie Wullschläger (online) March 2019
“Luc Tuymans, Master of Moral Complexities, Tries Something New” The New York Times, article by Nina Siegal (online) March 2019
“Luc Tuymans – On painting, filmmaking and how to look at art” ArtReview, no.62, article by Martin Herbert (p.68-73) October 2012
“Unnatural resources, Luc Tuymans on fighting the literal and mistrusting images” Modern Painters, article by Yasmine Van Pee (p.66-75) October 2007
Marsillo Editiori, Palazzo GrassiVenice, Italy, 2019215 pages, ISBN 9788831779494
OveramstelAmsterdam, Netherlands, 201945 pages, ISBN 9789048849574
Zeno X BooksAntwerp, Belgium, 2016272 pages
BAI PublishersKontich, Belgium, 2016102 pages, ISBN 97890985867258
LudionAntwerp, Belgium, 2015464 pages, ISBN 9789491819353
The Menil CollectionHouston, United States, 2013128 pages, ISBN 9780300196443
Centro de Arte de SalamancaSalamanca, Spain, 2003123 pages, ISBN 849571955X
Phaidon PressLondon, United Kingdom, 1996260 pages
PortikusFrankfurt am Main, Germany, 199430 pages, ISBN 3928071211